Next book

MAVERICKS, MIRACLES, AND MEDICINE

THE PIONEERS WHO RISKED THEIR LIVES TO BRING MEDICINE INTO THE MODERN AGE

Suitable for filling in unavoidable gaps in a TV presentation, but fails as a stand-alone.

Companion to a History Channel miniseries, a slightly idiosyncratic collection of 20 short pieces focusing on men and women who made noteworthy contributions to medical knowledge.

Fenster (Ether Day, 2001, etc.) provides the necessary context for understanding the significance of her subjects’ accomplishments in a readable, undemanding fashion. With descriptions of their physical appearance, personality quirks, and domestic tribulations, she makes every effort to bring these people to life and to set them in their time and place. She has grouped her pieces into five categories: understanding the body, germ theory, magic bullets, the mind, and surgery. The first section opens with an informative piece on 16th-century anatomist Andreas Vesalius and includes William Roentgen, discoverer of X-rays; Werner Forssmann, developer of the cardiac catheter; and Ian Wilmer, credited with cloning Dolly. William Harvey, discoverer of the circulation of the blood, would seem to belong here, but he turns up later in the section on surgery, following a piece on early experiments in blood transfusion. The section on germ theory, which features Antony van Leeuwenhoek, Ignaz Semmelweis, and Robert Koch (but not Louis Pasteur), also and rather startlingly profiles Mary Mallon, better known as “Typhoid Mary.” Fenster doesn’t provide an introduction explaining either her choices or their arrangement, indicating perhaps that the miniseries dictated them. Possibly the producers felt more women were needed; this would account for the selection of Lady Mary Montague, who figured prominently in the promotion of smallpox inoculation, rather than Edward Jenner, the doctor who discovered the vaccine. The hyperbole of the subtitle may also be no fault of the author’s.

Suitable for filling in unavoidable gaps in a TV presentation, but fails as a stand-alone.

Pub Date: Oct. 1, 2003

ISBN: 0-7867-1236-8

Page Count: 320

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview