Show you care by sharing this book with others.
A friendship book made by friends.
Fogliano’s title may prompt thoughts of Sendak’s Pierre, who doesn’t care—until he encounters a lion. There aren’t any perilous felines in this picture book, however, and there are two protagonists. At first, one child occupies the verso, with teal highlights in the grayscale graphite-and-linocut illustrations. The other is on the recto, with yellow highlights. It appears they are at odds, with the gutter between them seeming to symbolize an emotional barrier as opening text reads, “i really don’t care what you think of my hair / or my eyes or my toes or my nose.” Soon, though, subtle changes in facial expressions and posturing reveal the friends’ true feelings as Fogliano’s deftly rhymed verses, which never miss a beat in their cadence or in their emotional resonance, help readers realize that while the friends don’t care about surface matters like appearance, attire, or possessions, they do care about each other. Compositionally, they end up occupying shared space on the spreads and will doubtlessly take up residence in readers’ hearts, too, with lines like “but mostly i care that you’re you / and i’m me / and i care that we’re us and i care that we’re we” sealing the deal. Both children have skin the color of the page; one has darker hair, while the other has lighter hair. (This book was reviewed digitally.)
Show you care by sharing this book with others. (Picture book. 3-8)Pub Date: Nov. 22, 2022
ISBN: 978-0-8234-4345-1
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
