Shy and confident children alike will enjoy this story.

READ REVIEW

LILY'S CAT MASK

Small, brown-skinned Lily is able to navigate her world more easily when she wears a cat mask.

“Lily wasn’t sure she wanted to get new things for school, but her father said it would be fun.” The tiny child is walking next to her father, whose left hand reaches for a pink-striped shirt on a clothes rack as his right hand rests lightly on Lily’s curly head. The gentle washes of watercolor combine with not-quite-realistic images to enhance the text and create an underlying tone of nonthreatening humor. The slant of the willful preschooler’s body, for example, is exaggerated but resonates as true to life. When Lily is captivated by the only cat mask on a shelf of masks, her dad does “something unusual” and buys it for her. Lily wears it out of the store—and then everywhere possible, quickly realizing the advantages. Most adults completely humor the child, but when Lily starts school, Ms. Ito, her Japanese-American teacher, insists that Lily wear the mask only at recess time. Excellent artwork that will be easily understood by children shows Lily as shy but not ostracized by her diverse classmates. There is a bit of rebellion, followed by a bit of teacher push back, but not the meltdown that might be expected—probably because Lily is learning how to cope without the mask. The surprise ending is equally sweet and reassuring.

Shy and confident children alike will enjoy this story. (Picture book. 3-5)

Pub Date: May 2, 2017

ISBN: 978-0-425-28799-6

Page Count: 32

Publisher: Viking

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

OLIVER AND HIS EGG

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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WITH ALL MY HEART

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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