A standard melodrama with occasional flashes of originality.



An IRS officer and an FBI agent find love while following the money.

Olivia MacKenzie meets Grayson Kincaid when the FBI agent interrupts her job-interview lunch (she fears impending IRS layoffs) with financier Eric Jorguson. Technically, the interview had already ended when Jorguson, who knows the Feds are after him for money laundering, ripped Olivia’s dress, looking for a wire. Olivia and Grayson soon find they have more in common than government employment. Both are attorneys, both have trust funds, and both have dedicated themselves to aiding children. Olivia rescues abused youngsters, and Grayson has all but adopted his 9-year-old nephew, Henry, whose father prefers the jet-set life. Before the requisite sexual pyrotechnics occur, Grayson must sort out the many miscreants out to get Olivia, most of whom are her relatives. Her father, Robert MacKenzie, is running a Ponzi scheme of Madoff-ian proportions, the Trinity Fund, but Olivia alone suspects financial malfeasance. Her sister, Natalie, is pressuring her to persuade Aunt Emma, the only relation who was there for Olivia during her childhood bout with a rare cancer, to invest in Trinity. Natalie, whose own money is tied up with Trinity, doesn’t know that her husband, George, owes a loan shark a small fortune. George is trying to get his hands on Olivia’s trust, and MacKenzie and his crooked attorney know she’s looking for the smoking gun to bring Trinity down. Then there is Jorguson’s irate bodyguard, fired over the FBI fracas. All the above are suspect when Olivia is wounded in a drive-by shooting. Meanwhile, Olivia is worried about Jane, one of three women who underwent experimental protocols for childhood cancer along with Olivia, and who now, except for Emma, constitute her family. Is Jane suffering a relapse, and is her addict brother, Logan, really in recovery? The evil characters lack any semblance of humanity, and the good characters, including the Fed-crossed lovers, are perfect and unbecomingly smug about it.

A standard melodrama with occasional flashes of originality.

Pub Date: Aug. 7, 2012

ISBN: 978-0-525-95286-2

Page Count: 336

Publisher: Dutton

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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