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The Sound of Us

A winning story about a teenage voice student that hits all the right notes.

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Set at a summer music camp in Indiana, this debut YA novel spins a tale of romance and self-discovery.

Seventeen-year-old Tullia Cicero “Kiki” Nichols arrives at Indianapolis’ Krause College for a six-week voice camp determined to be a different girl than she was back home in Chicago. There, she was a “sweatpants enthusiast and perpetual chorus girl” and a huge fan of the sci-fi series Project Earth and its soundtrack of 1990s girl power music. She’s got more friends on Twitter than in real life, especially now that her best pal, Beth, has dumped her out of jealousy that Kiki got into music camp and she didn’t. At camp, Kiki wears twee dresses selected by her older sister, Tina, and conceals her Project Earth fandom—and starts to make new friends, including queen bee soprano Brie, dreamboat Seth Banks, and khaki-clad cutie Jack, who’s attending golf camp at Krause but secretly loves drumming. Kiki, a soprano, knows her parents won’t pay for Krause unless she receives one of seven scholarships awarded at the end of camp—and her best bet at getting one is landing the renowned Greg Bertrand as her voice teacher. But when she’s assigned to his class, he tells her in confidence that she can improve her chances by informing on any classmates behaving inappropriately. For Bertrand, this includes singing pop songs, meaning Kiki’s beloved Lilith Fair music is forbidden. Does Kiki really want to study nothing but opera for four years? And who’s Bertrand’s mole in their midst? Hammerle captures the intoxicating potential of leaving home and trying on a new persona, even as Kiki gradually realizes that she isn’t being true to herself. The author also demonstrates an understanding of how teens use social media—every chapter begins with one of Kiki’s tweets, and her online friendships are as important to her as those offline. Finally, Hammerle resists the urge to couple her protagonist off predictably—when was the last time a YA heroine got to kiss two boys while having a crush on a third without it ending badly for everyone?

A winning story about a teenage voice student that hits all the right notes.

Pub Date: June 7, 2016

ISBN: 978-1-63375-503-1

Page Count: 304

Publisher: Entangled Teen

Review Posted Online: May 24, 2016

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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THE DA VINCI CODE

Bulky, balky, talky.

In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.

But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.

Bulky, balky, talky.

Pub Date: March 18, 2003

ISBN: 0-385-50420-9

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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