A sumptuous feast for the eyes and the mind.
A Brooklyn-based artist and new mother’s harrowing hike in upstate New York frames a wide-ranging reflection on art and the artist’s life.
In this graphic novel from painter Heffernan, we meet Julie, with infant Sam strapped to her chest, making her way through a lush forest extending to the horizon. The landscape’s myriad greens and multitudinous life awe her and, feeling small under the setting sun, Julie wonders, “What’m I doing here?” The book answers this question in senses big and small, alternating between the increasingly off-course hike and Julie’s background as the youngest member of a conservative religious family, first in small-town Illinois and then in the suburban sprawl of the San Francisco Bay Area. Chronic bed-wetting leads to shame and distressing medical intervention for Julie, anchoring her narration in the corporeal. The female body suffers—when the young Julie squirms under her father’s judging gaze, or when a friend’s excitement at seeing the Beatles provokes savage punishment from the friend’s father for perceived carnality—but is also celebrated, as menstrual rags make their way into fine art, and Sam’s nursing from Julie's hot breasts brings calm to the lost mother. Julie majors in art; travels Europe with a nasty boy; paints in West Berlin with writer Jonathan, her eventual husband and Sam's father; gets a New York agent who screws her over; and rivetingly explains her artistic motivations in stream-of-consciousness narration that is both erudite and amiable. Classic works of art, their secrets deciphered by Julie’s exuberant annotation, punctuate the muted tones and soft lines of the storyline panels, while the author’s own vibrant, ornate paintings occasionally explode the page with fecund portraits of humans and hivelike homes. Heffernan takes her time laying out the narrative threads, then lets them echo through one another, painting the rich web of one woman's life.
A sumptuous feast for the eyes and the mind.Pub Date: Sept. 3, 2024
ISBN: 9781643755595
Page Count: 240
Publisher: Algonquin
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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