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You're Still Sick?

A sometimes-exhausting but realistic portrait of life under physical duress.

A young woman with chronic illness takes matters into her own hands in this debut novel.

Adrea “Drea” Ragnason can’t find a doctor who understands her. Her symptoms, from fatigue to baldness to acne to fainting spells, have come to define her. Her latest physician, Dr. Natsker, has the same dismissive bedside manner as other doctors Drea’s seen: one thinks she’s fainting because of stress from her final exams, while another believes that she just needs to exercise more. Luckily, her aunt, Betty, with whom she works at a bus station ticket booth, is sympathetic and compassionate, though Drea’s mother, Iris, is well-meaning but irritating. One morning Drea decides that the solution to her problems is to visualize her doctors as suffering from the same symptoms she has, and she does so in her journal. Meanwhile, Dr. Helene Gundersen, a talented psychologist, has just opened her own practice in a sunny, welcoming cottage; soon, some of her patients complain of terrible health issues. Betty helps Drea find an apartment above a flower shop owned by Otto, a widower who encourages her to continue to be more vocal with her doctors. When the opportunity comes for Drea to move into Otto’s house and help him open a plant nursery, she’s happy to do so. But she continues to have fainting spells and fatigue and demands to be tested for polycystic ovary syndrome. It’s revealed that some of Dr. Gundersen’s patients are also Drea’s doctors, and they come to realize that their lack of empathy for their patients is humiliating and frustrating when the tables are turned. Overall, this novel could have used more nuance, which might have elevated the novel from a litany of woes to a true exploration of empathy. It also takes a while for Dr. Gundersen’s role in the novel to become clear, and the epiphanies that her patients have are often heavy-handed. That said, the story does an excellent job of portraying the relentless difficulties of suffering from hard-to-treat, chronic illnesses. The characters that love Drea despite her issues are a welcome contrast to the self-pity that sometimes colors other chapters. Deck also considers Drea’s plight from several angles, including how it may be affected by gender bias. Although the novel ends abruptly, its message of self-advocacy and love is palpable.

A sometimes-exhausting but realistic portrait of life under physical duress. 

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: iUniverse

Review Posted Online: May 31, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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