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THE STARS IN OUR EYES

THE FAMOUS, THE INFAMOUS, AND WHY WE CARE WAY TOO MUCH ABOUT THEM

Entertaining but shallow. Klam is perhaps too sensible a writer to care much about the filtered world of celebrities, and...

A collection of essays on our culture’s fascination with celebrities.

Klam (Friendkeeping: A Field Guide to the People You Love, Hate, and Can't Live Without, 2012, etc.) has done her share of celebrity journalism in magazines like Harper’s Bazaar and Glamour. In her fifth book, she chronicles her interviews with one-time or sort-of celebrities like Timothy Hutton, whose 15 minutes came when he won an Oscar in 1980 at age 20 for Ordinary People, and Griffin Dunne, who starred in An American Werewolf in London. They come across as perfectly pleasant, polite guys with little apparent interest in the subject of celebrity. The author professes a fascination with celebrities that began when she was a teenager plastering her bedroom walls with pages from Tiger Beat, but by this point, that fascination has clearly faded, and she seems to be proceeding dutifully through all the expected bases. She observes strangers taking selfies outside the restaurant where Seinfeld was filmed, speaks with Quentin Tarantino’s publicist, discusses the necessity of plastic surgery for celebrities, frets about the Kardashians and their unearned fame, and interviews former Mets player R.A. Dickey, forgetting to turn on her tape recorder, with a resulting chapter that’s more about her than him. The book is padded with dozens of recollections of celebrity sightings by Klam’s friends and acquaintances. In the book’s most pleasurable moments, the author discusses her Aunt Mattie, an unabashed reality TV show fan who enjoys sitting in her La-Z-Boy with her dog and some licorice and pretzels to watch and muse on the complicated relationships in Love & Hip-Hop: Hollywood.

Entertaining but shallow. Klam is perhaps too sensible a writer to care much about the filtered world of celebrities, and her fundamental indifference to the subject, no matter how she struggles to overcome it, makes the book seem less than essential.

Pub Date: July 18, 2017

ISBN: 978-1-59463-136-8

Page Count: 240

Publisher: Riverhead

Review Posted Online: May 14, 2017

Kirkus Reviews Issue: June 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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