by Julie Larios & illustrated by Julie Paschkis ‧ RELEASE DATE: April 1, 2008
Using poems and pictures, this modern bestiary proves a fascinating introduction to mythical creatures from different cultures. Beginning with the ever-popular dragon and ending with the familiar phoenix, the collection also includes the less well-known Russian firebird, the Old Testament cockatrice, the British hobgoblin and will o’ the wisp, the Egyptian sphinx and the Southeast Asian naga. Each creature is described in a poem capturing some of its unique features as well as its mystery. The mermaid is “part woman, part fish” who listens “to the waves break on the shore—half song, half roar,” while the gargoyle is a beast “with a stone tongue, with a stone throat” whose “mouth is a rainspout.” While the illustrations appropriately borrow elements from medieval illuminated manuscripts, including embellished capital letters, intricate curvilinear forms and brilliant colors, they also incorporate decorative forms from the cultural source. The firebird reflects Russian folk art; the trolls recall Nordic wood carvings; the thunderbird echoes tribal art of the Pacific Northwest. End-pages ingeniously unite the curious creatures providing the perfect start and finish to this little masterpiece. (glossary) (Picture book. 6-9)
Pub Date: April 1, 2008
ISBN: 978-0-15-206325-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 15, 2008
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by Julie Larios ; illustrated by Julie Paschkis
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by Julie Larios & illustrated by Julie Paschkis
by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Lois Lowry ; illustrated by Jonathan Stroh
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by Lois Lowry
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Meredith Hooper & illustrated by Bee Willey
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by Meredith Hooper & illustrated by Stephen Biesty
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by Meredith Hooper & illustrated by Stephen Biesty
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