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ME AND THE FAT MAN

The latest offering from British novelist Myerson (The Touch, 1996, etc.) is a heartrending account of a young woman’s journey into her own past. Amy is one of those unhappy women who have been unhappy for so long that they can—t ever remember feeling any other way. Orphaned as young girl when her mother drowned off the Greek island of Eknos, Amy never knew her father and was raised by foster parents in the north of England. Now a waitress in the unnamed city where she grew up, she lives with her unnamed husband but secretly turns tricks in a nearby park. She may be desperate, but it’s not for money (most of which she leaves untouched in a private bank account) and it’s certainly not for sex (which she frankly admits to never having enjoyed very much). One day her strange routine is upset by a customer (at the restaurant) who tells her he’s seen her in the park and would like to have a “chat” with her. His name is Harris, and he claims that Amy’s mother had been his lover before she fell for the rather wild boy who dragged her off to Europe and impregnated (and later abandoned) her. Harris wants Amy to meet a special friend of his named Gary. Gary runs a bookshop out of Harris’s home, and he’s quite fat. Another customer? Amy is willing to put out for Gary—who turns out to be quite sweet—but something happens that she’s not prepared for: they fall in love. Eventually, Amy leaves her husband and gives birth to Gary’s child. It turns out that Gary has secrets of his own, however, which he reveals to Amy with great trepidation. Everything goes back to Greece somehow, and soon enough Amy must make the trip herself—in order to lay to rest more than one ghost. Extremely moving, very fine and real: Myerson’s narration is so masterful and unobtrusive that the outlandishness of her story is overlooked.

Pub Date: May 24, 1999

ISBN: 0-88001-649-3

Page Count: 224

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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MY YEAR OF REST AND RELAXATION

A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.

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A young New York woman figures there’s nothing wrong with existence that a fistful of prescriptions and months of napping wouldn’t fix.

Moshfegh’s prickly fourth book (Homesick for Another World, 2017, etc.) is narrated by an unnamed woman who’s decided to spend a year “hibernating.” She has a few conventional grief issues. (Her parents are both dead, and they’re much on her mind.) And if she’s not mentally ill, she’s certainly severely maladjusted socially. (She quits her job at an art gallery in obnoxious, scatological fashion.) But Moshfegh isn’t interested in grief or mental illness per se. Instead, she means to explore whether there are paths to living that don’t involve traditional (and wearying) habits of consumption, production, and relationships. To highlight that point, most of the people in the narrator's life are offbeat or provisional figures: Reva, her well-meaning but shallow former classmate; Trevor, a boyfriend who only pursues her when he’s on the rebound; and Dr. Tuttle, a wildly incompetent doctor who freely gives random pill samples and presses one drug, Infermiterol, that produces three-day blackouts. None of which is the stuff of comedy. But Moshfegh has a keen sense of everyday absurdities, a deadpan delivery, and such a well-honed sense of irony that the narrator’s predicament never feels tragic; this may be the finest existential novel not written by a French author. (Recovering from one blackout, the narrator thinks, “What had I done? Spent a spa day then gone out clubbing?...Had Reva convinced me to go ‘enjoy myself’ or something just as idiotic?”) Checking out of society the way the narrator does isn’t advisable, but there’s still a peculiar kind of uplift to the story in how it urges second-guessing the nature of our attachments while revealing how hard it is to break them.

A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.

Pub Date: July 10, 2018

ISBN: 978-0-525-52211-9

Page Count: 304

Publisher: Penguin Press

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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