MARY, MARY

Britisher Parsons’s harrowing first novel traces the aftermath of a brutal sex killing. The bare bones of the story couldn’t be simpler. Mary Mitchell and her single mother, newly arrived in Dublin from a long residence in New Zealand, have few friends in the area, even though Margaret Mitchell grew up there before taking her M.D. in psychiatry and leaving the country for a faraway job in a hospital for the criminally insane. The first time Mary catches the eye of limousine driver Jimmy Fitzsimons, he wants her, and before long he abducts and kills her after subjecting her to an eight- day-long litany of grueling horrors. Inspector Michael McLoughlin’s men, perhaps taking their cue from their hard-drinking, philandering chief, fail to turn up a single clue until Jenny Adamson, a former photography teacher of Jimmy’s, comes forward with the story of her own ordeal at his hands, a story that convinces McLoughlin to haul Jimmy in for a brutal round of questioning and quick arrest. But when Jimmy’s high-powered barrister, Patrick Holland, gets involved, the case against him begins to unravel, with predictably shocking results. Simple as it is, Parsons unfolds this tale in a series of unnerving and lacerating vignettes that tie Jimmy’s delight in Margaret’s misery to McLoughlin’s self-hating sexual escapades, Mary’s loving memorials to the father who died before she was born, her dying grandmother’s crazy quilt of memories, and Margaret’s fathomless grief, followed ultimately by her frenzied quest for revenge. And even though the guilt is known from the beginning, Parsons, who sees deeply and unerringly into dark corners that her characters would die rather than show each other, plants merciless surprises in the most unlikely places. Powerful stuff—lyrical, elliptical, and unrelentingly grim.

Pub Date: March 1, 1999

ISBN: 0-684-85324-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom...

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LADY IN THE LAKE

Baltimore in the 1960s is the setting for this historical fiction about a real-life unsolved drowning.

In her most ambitious work to date, Lippman (Sunburn, 2018, etc.) tells the story of Maddie Schwartz, an attractive 37-year-old Jewish housewife who abruptly leaves her husband and son to pursue a long-held ambition to be a journalist, and Cleo Sherwood, an African-American cocktail waitress about whom little is known. Sherwood's body was found in a lake in a city park months after she disappeared, and while no one else seems to care enough to investigate, Maddie becomes obsessed—partly due to certain similarities she perceives between her life and Cleo's, partly due to her faith in her own detective skills. The story unfolds from Maddie's point of view as well as that of Cleo's ghost, who seems to be watching from behind the scenes, commenting acerbically on Maddie's nosing around like a bull in a china shop after getting a job at one of the city papers. Added to these are a chorus of Baltimore characters who make vivid one-time appearances: a jewelry store clerk, an about-to-be-murdered schoolgirl, "Mr. Helpline," a bartender, a political operative, a waitress, a Baltimore Oriole, the first African-American female policewoman (these last two are based on real people), and many more. Maddie's ambition propels her forward despite the cost to others, including the family of the deceased and her own secret lover, a black policeman. Lippman's high-def depiction of 1960s Baltimore and the atmosphere of the newsroom at that time—she interviewed associates of her father, Baltimore Sun journalist Theo Lippman Jr., for the details—ground the book in fascinating historical fact.The literary gambit she balances atop that foundation—the collage of voices—works impressively, showcasing the author's gift for rhythms of speech. The story is bigger than the crime, and the crime is bigger than its solution, making Lippman's skill as a mystery novelist work as icing on the cake.

The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers.

Pub Date: July 23, 2019

ISBN: 978-0-06-239001-1

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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