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ROSIE GIRL

Several of the right ingredients languish under infelicitous execution.

A psychological thriller promises scandal and drama.

This novel seeks to intertwine two narratives. One is about white 17-year-old Rosie Velvitt and her physically and emotionally threatening home life, which pushes her to extremes (such as booking johns for her best friend, who turns tricks for cash) in order to find a birth mother she thought long dead. The other is about Rosie and her best friend, Mary Perkins (also white), and the truth about why their relationship seems to revolve around instances of explicit sexual violence. While the former enjoys rich development in a nuanced, first-person consideration of family, friendship, and the breaking points for both, the latter feels like a trauma-exploitative gimmick and rests on an implausible (though not impossible) manifestation of mental illness. In what seems to be a collision between Brock Cole’s The Facts Speak for Themselves (1997) and Sonya Hartnett’s Surrender (2006), the dropped hints and whiplash-inducing twist ending throw the entirety of the narrative prior to the last page into new light. While this may hit the mark for some Shyamalan-enthusiast readers, it will disappoint those less entertained by ugly tropes around mental health stigma or simply expecting an intentional inclusion of mental disability to be more thoughtful than a repellent plot twist.

Several of the right ingredients languish under infelicitous execution. (Thriller. 14-17)

Pub Date: July 11, 2017

ISBN: 978-0-399-54864-2

Page Count: 384

Publisher: Putnam

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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NOT IF I SAVE YOU FIRST

A tightly plotted thriller helmed by a firecracker that never loses her spark.

Estranged best friends must come together to survive man-made threats in the harsh Alaskan wilderness.

Maddie and Logan, both white, were best friends at age 10. Maddie’s father’s job was to keep the president safe, and as the president’s son, that meant Logan too. But when Russians attempt an attack on Logan and the first lady, everything changes. Maddie’s father decides they must move somewhere with no phones, no internet, no access. Soon Maddie and Logan are thousands of miles apart, she in rural Alaska and he in the White House. For six years there’s no contact; Maddie spends two years writing to him with no response. She becomes skilled in the ways of the wilderness, her anger at Logan building. His perspective highlights a privileged, reckless life, leading the president to administer a unique punishment: staying with Maddie and her father in Alaska. But Logan brings dangerous baggage with him, and with her father away for the night, it’s up to Maddie to keep them both safe. Maddie’s grit, humor, and cleverness make her an engaging action hero. Logan’s less dynamic, hyperfocused on ensuring Maddie’s safety when she’s not the one who needs saving. Fans of survivalist fiction will be impressed by the well-researched, immersive Alaskan landscape and all its beauty and brutality.

A tightly plotted thriller helmed by a firecracker that never loses her spark. (Thriller. 14-17)

Pub Date: March 27, 2018

ISBN: 978-1-338-13414-8

Page Count: 304

Publisher: Scholastic

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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H2O

Only for readers who are really good at suspending disbelief.

Grab an umbrella: The latest fictional civilization-ending threat is deadly rain.

Ruby’s having the best night of her life, drunkenly making out with her crush in a hot tub at a party. Suddenly, the host’s parents arrive and, panicking, drag everyone indoors. The radio broadcasts an emergency message about fatal rain. Space bacteria have entered the atmosphere on an asteroid, replicated in the clouds’ moisture and now rain death upon humanity. Just humanity, though—inexplicably, this bacteria’s apparently harmless to plants and other animals. After struggling to live through the first few days—finding uncontaminated water sources is a particular challenge—Ruby decides to travel across the country to find her father. The situation’s horrifying, but what gives the deaths resonance is how sad they are, rather than simply scary (although they are plenty gory). Ruby’s narration is unsophisticated and, especially in the beginning, self-conscious, keeping readers from immersing themselves in the story, much as the strange butterfly graphic that censors curse words does. Additionally, Ruby’s progressively vapid characterization makes her hard to root for. Her biggest redeeming trait’s her love of animals. The novel also has the usual post-apocalyptic tropes—nerdy companion, military of dubious trustworthiness, human threats, a young child to take care of and so forth. The ending is immensely unsatisfying.

Only for readers who are really good at suspending disbelief. (Post-apocalyptic adventure. 14-17)

Pub Date: Oct. 7, 2014

ISBN: 978-1-4926-0654-3

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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