As sexy and brief as the love it describes.
A steamy tale of an affair that holds the threat of destruction, in Shigekumi’s follow-up to her debut (A Bridge Between Us, 1995).
Lily Soto has a perfect life—doesn’t she? Well, calm and lovely as it may have been (“They would take a day trip, skim across the surface of a sea so peaceful that waves lapped but did not rise up”), life with Joseph has come to feel about as attractive as his job at the morgue. Which isn’t to say that Lily can’t grow aroused watching her husband perform an autopsy—she can and does—but only that something’s missing. That missing thing arrives in the form of Perish, a colleague who announces his obsession with Lily. Lily is still breast-feeding her youngest, yet just the idea of this unlikely love—he’s married, too—triggers a torrid affair. Perish is missing a leg, but that’s somehow part of his allure (“Like the leg that isn’t there, what is missing and hidden defines the space between them”). Lily’s love for Joseph continues to diminish, a pattern not helped by her senile live-in father, who sometimes sneaks tumesce’d into the bedroom to watch the failing couple make love. Divorce looms as things grow worse, but then one day Lily has a seizure in public and, because of his missing leg, Perish is unable to help her. She winds up in the hospital, where a rape kit shows semen and possible rape. Will the lovers get caught red-handed? Or might Lily really have been raped, despite Perish’s insistence that he watched her every minute until the ambulance arrived? When the affair ends, only ghosts, corpses, and love on the brink of death will be left behind: “Now the world takes shape in the garden, where tomatoes with worm holes the size of dimes shrivel on the vine, bugs eat the unpicked squash, and weeds grow between the furrows . . . .”
As sexy and brief as the love it describes.Pub Date: June 1, 2003
ISBN: 0-312-31183-4
Page Count: 240
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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