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THE AXEMAN'S JAZZ

New Orleans social-misfit Skip Langdon (New Orleans Mourning, 1990) postpones her vacation from homicide when the ``Axeman'' writes the police and taunts them about two murders he has committed. Both victims belonged to several 12-step recovery programs, so Skip and her fellow officers attend meetings, swipe membership phone lists, and finally concentrate on two group participants—Di, once up on charges for child abuse, and Alex, a randy psychiatrist once accused of assault. Another murder occurs before Skip and sharp-tongued police-shrink Cindy Lou realize that Di is being framed. By then, however, Axeman has taken Alex hostage, and the two women must talk the killer into giving himself up. Cruel swipes at 12-step concepts and an unlikely meeting between Skip and her mother at an Overeaters Anonymous meeting undercut Smith's deft skewering of southern mannerisms and standards for womanhood. Still, this is a more polished work than Mourning, and Cindy Lou a more interesting heroine than Skip.

Pub Date: Sept. 19, 1991

ISBN: 0-312-06295-8

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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THE EVIL MEN DO

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.

Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Pub Date: March 3, 2020

ISBN: 978-0-525-53556-0

Page Count: 368

Publisher: Putnam

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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ONE DAY YOU'LL BURN

Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.

Hollywood detectives catch the strange case of a brutally burned body.

Detective Tully Jarsdel is a former academic, leading his partner, Morales, to call him Professor. When he fights his way through multiple news crews to reach a corpse one day, it's unlike any he’s ever seen. The body is twisted, partially ravaged, and burned so badly it’s unrecognizable. Jarsdel and Morales intensely question Dustin Sparks, the horror-movie special-effects expert who found the body. He eventually admits that he saw the body being dumped from a van, but his addiction to OxyContin makes him a compromised witness. While waiting for DNA results, Jarsdel and Morales watch missing persons reports closely. An odd red disk glued to the victim’s palm turns out to be a 1996 quarter painted red: the case’s first clue, albeit a murky one. DNA connects the victim to grizzled convict Lawrence Wolin, who identifies the man as his brother. The pieces of Grant Wolin’s life come together via interviews prompted by a search of his dirty apartment. He sold jars of “genuine Hollywood dirt” on the street, smoked marijuana occasionally, and was apparently asexual. A dinner scene at the home of Jarsdel’s scholarly parents provides insight into his psyche and his sense of isolation. Though he fits in with neither the gritty world of police work nor the ivory tower of academia, he has a passion for justice.

Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.

Pub Date: Feb. 4, 2020

ISBN: 978-1-4926-8444-2

Page Count: 336

Publisher: Poisoned Pen

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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