In this absurdist literary mystery, everyone's motives are suspect and open to interpretation.
A satiric campus novel from an editor at the Atlantic.
Anna Brisker is a disappointment to her wealthy, status-obsessed parents and to her thesis adviser at Collegiate, who feels she's not taking her dissertation, "an intellectual history of inspiration," seriously. But when Anna unexpectedly crosses paths with Helen Langley, the disinherited niece of an author who famously stepped away from the limelight, she uncovers a way to finish her dissertation and show up her family. According to Helen, Freddy Langley didn't have writer's block prior to his death but continued writing long after he disappeared from public view. If Anna can access Freddy's notebooks, she could finish her dissertation and earn back the respect of her adviser. Soon, Anna is embroiled in a game of literary detection that's spurred, like all good detective stories, by a combination of curiosity, lust, and petty revenge. Does Helen actually have feelings for Anna, or is it all an act? Can Anna outwit the other Ph.D. student sniffing around her project? And is it ever possible to determine an author's intentions by reading the record they've left behind? In her debut novel, Lapidos writes a scathing come-up of academia and criticism, poking fun at Ivy League hangers-on and book critics alike. In Anna, Lapidos has created a dry and distant narrator with a penchant for Pop-Tarts and metacriticism. Although the novel is often wry and observant, the philosophical puzzle at the heart of the book feels hollow, with little at stake beyond inviting readers to judge characters designed to be harshly judged. Both Anna and Helen have the privilege to stand at a remove from art and critical production thanks to the intervention of family money. But ironic distance only takes criticism—and art—so far.
In this absurdist literary mystery, everyone's motives are suspect and open to interpretation.Pub Date: Jan. 22, 2019
ISBN: 978-0-316-48055-0
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Oct. 2, 2018
Kirkus Reviews Issue: Nov. 1, 2018
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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