WHAT A TRULY COOL WORLD

Lester (Black Cowboy, Wild Horses, p. 661, etc.) has conceived a creation story that proves even God needs to have a little fun. When Shaniqua, “the angel in charge of everybody’s business,” points out to God that the newly created earth is kind of drab, God trims the trees, and the clippings become bushes and grass. Shaniqua is still not impressed, though, so God goes to the edge of heaven, opens His mouth, and out comes music. The notes are in shapes and colors that turn into flowers. The flowers whisper that they are lonely; Shaniqua learns to sing so beautifully that she brings tears into the world, and from those tears come butterflies. The language is winning: God’s secretary, Bruce, greets his boss with “Yo! What’s up, Deity?” Cepeda’s oil paintings carry the warmth and familiarity of the text: Bruce wears glasses, strap-on wings, and has taped messages to the side of the computer that indexes the Library of Everything That Is Going to Be; heaven’s interiors resemble comfortable homes (God’s chair is a bright red recliner). A truly cool book about how—perhaps—things came to be. (Picture book. 3-9)

Pub Date: Feb. 1, 1999

ISBN: 0-590-86468-8

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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The book is perfect for read-alouds, with occasional, often onomatopoeic Spanish words such as “quiquiriquí,” “tacatac” and...

WAITING FOR THE BIBLIOBURRO

Inspired by Colombian librarian Luis Soriano Bohórquez, Brown’s latest tells of a little girl whose wish comes true when a librarian and two book-laden burros visit her remote village.

Ana loves to read and spends all of her free time either reading alone or to her younger brother. She knows every word of the one book she owns. Although she uses her imagination to create fantastical bedtime tales for her brother, she really wants new books to read. Everything changes when a traveling librarian and his two donkeys, Alfa and Beto, arrive in the village. Besides loaning books to the children until his next visit, the unnamed man also reads them stories and teaches the younger children the alphabet. When Ana suggests that someone write a book about the traveling library, he encourages her to complete this task herself. After she reads her library books, Ana writes her own story for the librarian and gives it to him upon his reappearance—and he makes it part of his biblioburro collection. Parra’s colorful folk-style illustrations of acrylics on board bring Ana’s real and imaginary worlds to life. This is a child-centered complement to Jeanette Winter’s Biblioburro (2010), which focuses on Soriano.

The book is perfect for read-alouds, with occasional, often onomatopoeic Spanish words such as “quiquiriquí,” “tacatac” and “iii-aah” adding to the fun.   (author’s note, glossary of Spanish terms) (Picture book. 4-8)

Pub Date: July 12, 2011

ISBN: 978-1-58246-353-7

Page Count: 32

Publisher: Tricycle

Review Posted Online: June 6, 2011

Kirkus Reviews Issue: June 15, 2011

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Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and...

THE LITTLE RED PEN

Obviously inspired by "The Little Red Hen," this goes beyond the foundation tale's basic moral about work ethic to explore problem solving, teamwork and doing one’s best.

Nighttime at school brings the Little Red Pen out of the drawer to correct papers, usually aided by other common school supplies. But not this time. Too afraid of being broken, worn out, dull, lost or, worst of all, put in the “Pit of No Return” (aka trash), they hide in the drawer despite the Little Red Pen’s insistence that the world will end if the papers do not get corrected. But even with her drive she cannot do it all herself—her efforts send her to the Pit. It takes the ingenuity and cooperation of every desk supply to accomplish her rescue and to get all the papers graded, thereby saving the world. The authors work in lots of clever wordplay that will appeal to adult readers, as will the spicy character of Chincheta, the Mexican pushpin. Stevens’ delightfully expressive desk supplies were created with paint, ink and plenty of real school supplies. Without a doubt, she has captured their true personalities: the buck-toothed stapler, bespectacled scissors and rather empty-headed eraser.

Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and students may take a second glance at that innocuous-looking red pen on the teacher’s desk. (Picture book. 5-8)

Pub Date: April 18, 2011

ISBN: 978-0-15-206432-7

Page Count: 56

Publisher: Harcourt

Review Posted Online: April 6, 2011

Kirkus Reviews Issue: March 15, 2011

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