by June Hall McCash ‧ RELEASE DATE: April 4, 2012
A sweeping planter-slave tale in the antebellum South, as seen through the prism of 21st-century sensibilities and...
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A Civil War–era historical saga that chronicles a couple as they go from Cumberland Island, Georgia, to Groton, Connecticut, by 2011 Georgia Author of the Year McCash (Almost to Eden, 2010).
In antebellum Georgia, beautiful Elisabeth (aka “Zabette”) is the descendant of generations of slave owners and comely slaves. Raised primarily by her white grandmother, French-American Marguerite Bernardey, Zabette straddles the two lifestyles. Aware of her granddaughter’s delicate position, Marguerite exacts a promise from her white neighbor, Robert Stafford, that he’ll prevent Zabette from being sold after her death. Indeed, Stafford takes Zabette into his home to live there as his wife, long before her grandmother dies. A successful planter and businessman, he refuses to allow their six children to be raised as slaves, instead sending them to Connecticut where they can pass as white and live as free people. Eventually, Zabette joins them, while Robert remains in the South, growing increasingly bitter over his inability to possess all of Cumberland Island. Later, when his Southern fortunes are decimated by the Civil War, he allows his disappointment to cloud his relationship with Zabette. This novel transcends what could have been a clichéd tale of a master/slave affair, instead showing the truly tenuous position of African-Americans in the South before and after the war. McCash shows how Zabette’s intelligence and devotion to her children cause her to question Robert’s decisions, and how her long residence in the North educates her on issues that her upbringing never made her think about. In contrast, Robert evolves from a socially awkward, sympathetic character to a heartless, autocratic father to a sad, embittered old man. His deep resentment of the neighboring Cumberland Island planter, Phineas Nightingale, seems unwarranted, and his eventual cruelty toward Zabette inexcusable. Minor inconsistencies in the timeline—Robert is 69 in 1851, but only 67 in 1858—and a lack of character development among Zabette’s younger three children only slightly mar this otherwise well-composed novel.
A sweeping planter-slave tale in the antebellum South, as seen through the prism of 21st-century sensibilities and sensitivities.Pub Date: April 4, 2012
ISBN: 978-0-9844354-8-7
Page Count: 374
Publisher: Twin Oaks Press
Review Posted Online: Sept. 4, 2015
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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BOOK TO SCREEN
by Stephen King ‧ RELEASE DATE: Jan. 28, 1976
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
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by Stephen King
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