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MY FAMILY AND OTHER HAZARDS

A MEMOIR

The ending of the book—the kids grown, the parents’ move to sell the course—leaves a wistful feeling, but like mini-golf...

The story of a girl, her family and the miniature golf course they owned.

Miniature golf—or “putt-putt,” depending on where you’re playing—is one of those activities that can be hard to pigeonhole. It’s not quite a sport, per se, but it does have a professional association (the USPMGA, of course)—i.e., more than a game but not quite at the same level as bowling. Without a doubt, though, it is a family pastime, a place to take children on the weekend—until your family buys a miniature golf course, and then it’s your job. At age 10, Melby found herself thrilled to hear her father ask if they’d like to buy Tom Thumb Miniature Golf in Waupaca, Wisconsin. As is the case with many such amusement places, it’s one thing to visit them for a round of putt-putt; it’s another thing entirely to be personally involved with the upkeep of the course, the management of the customers (who don’t always recognize where the course ends and the owner’s personal residence begins), and the birds with their nests and their offspring and their cavalier approach to waste management. Melby has written for National Lampoon and McSweeney’s Internet Tendency, which is a good indicator of the approach she takes in this witty memoir. Starting with a dryly cautionary few pages advising readers to never go to Wisconsin, each chapter is dedicated to a hole on the course. As the family goes from stumbling new entrepreneurs, the former owner having left no useful instructions, to fairly successful small-business owners, Melby and her siblings grow up.

The ending of the book—the kids grown, the parents’ move to sell the course—leaves a wistful feeling, but like mini-golf itself, the story is a lot of fun and enjoyable to navigate.

Pub Date: July 8, 2014

ISBN: 978-0-8050-9831-0

Page Count: 320

Publisher: Henry Holt

Review Posted Online: June 10, 2014

Kirkus Reviews Issue: July 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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