by Juno Rushdan ‧ RELEASE DATE: May 26, 2020
A thrilling spy adventure without a romantic payoff.
A hacker winds up under the protection of a stalwart government operative as they race to stop an outbreak of biological warfare.
After her whole team of fellow white-hat hackers is murdered, Kit Westcott is on the run with incredibly sensitive information regarding a bioweapon called Z-1984. To get the knowledge about the creation and sale of Z-1984 out of her hands and into the public view, Kit reaches out to a blogger to stage a leak. When Kit’s secret meeting is interrupted by a hail of gunfire, she’s rescued by undercover Gray Box operative Castle Kinkade. Gray Box is an off-the-books government agency that operates in the gray areas of the law for the sake of national security. It’s a setup that feels all too real in the current global climate, and the doom-and-gloom scenario of a dangerous biological weapon feels like an insurmountable obstacle to a happily-ever-after. As in the previous books in the romantic suspense Final Hour series, including Nothing To Fear (2019), the nonstop jet-setting action will make this more appealing for fans of global thrillers. Both leads are likable enough in their bid for good to triumph over evil, but when compared to the truly Machiavellian villain, they are often the least interesting characters on the page. Kit, who lives with debilitating anxiety and PTSD, is frequently immobilized during times of danger. Given the number of gunfights that happen in this book, her passivity is overwhelming, which may provoke the reader's own anxiety. Romance is supposed to provide a beacon of hope in the darkest of times, but all that was spotted here was a glimmer, at best.
A thrilling spy adventure without a romantic payoff.Pub Date: May 26, 2020
ISBN: 978-1-4926-6179-5
Page Count: 448
Publisher: Sourcebooks Casablanca
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
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BOOK REVIEW
by Juno Rushdan
BOOK REVIEW
by Juno Rushdan
by Ali Hazelwood ‧ RELEASE DATE: Sept. 14, 2021
Fresh and upbeat, though not without flaws.
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An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Tom Hindle ‧ RELEASE DATE: Sept. 29, 2026
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.
A luxury liner bound for New York in 1924 becomes the scene of a twisty golden age pastiche.
When an unnamed third-class passenger discovers the body of an elderly man at the bottom of an exterior flight of stairs aboard the Endeavour, Capt. McCrory insists it must be an accident. But James Temple, a Scotland Yard detective who just happens to be aboard, says that no one would have ventured to the outdoor steps in the rain without a coat, so the death should be treated as suspicious. Unable to stop Temple from investigating, McCrory assigns ship’s officer Timothy Birch to accompany him, and Birch promptly becomes the world’s most unwilling Dr. Watson, constantly battling Temple over theories and procedures. Anxious that they have only four days to find a potential killer before the ship docks and lets its 2,000 passengers roam free in New York, he’s especially infuriated at the leisurely pace marked by Temple’s bromide, “Facts before witnesses.” There’s reason to sympathize with Temple, because the suspects in first and second class (the only classes that matter in this ultra-class-conscious world) are cardboard cutouts—the successful banker, his trophy wife, the aspiring artists, the gallery owner—who are much less interesting than the secrets they’re hiding. In his most anachronistic development, author Hindle shows Birch, unlike the imperturbable sidekicks he echoes, sunk in grief over his vanished daughter, Amelia, and his estranged wife, Kate, who left him after Amelia disappeared during one of his ocean voyages. He’d do anything to get his daughter back, he tells Temple, and his determination leads to the biggest surprise of all.
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.Pub Date: Sept. 29, 2026
ISBN: 9798217185740
Page Count: 464
Publisher: Dutton
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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