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EVERYTHING UNDER THE SUN

A STORY ABOUT GLOBAL WARMING

A verbose discourse for readers whose political views are in alignment with those of the author.

Bass projects ideas for creating an eco-aware future—along with his political views—in his debut novel.

Tony, a former solar-panel salesman, discusses the benefits of solar energy—and the disadvantages of its alternative—with his boss and his clients, all of whom become immediately inspired to change their lifestyle and help the cause. At the same time, Gabby, a leader in environmental science, enlightens Mariposa, her young and naïve intern, while attributing the issues faced by the United States government to the Republican Party as a whole. The Pott family, who is “big into oil,” is cast in a negative light, as is Daniel DeLeno, a libertarian member of the Conservative Committee, until his solar panels begin to malfunction—that’s where Tony sheds light on the situation. Tony rattles off his knowledge of the solar-energy industry in true adman fashion, without being prompted. It’s clear that Bass has done his research on the topic of solar energy, and he provides extensive information about how to incorporate renewable energy into one’s life. It’s presented in a dry and didactic manner, however, with very little buildup or character development. Tony is quick to fall into his rehearsed rant to his boss, clients, friends; all of whom serve as unrealistically receptive audiences. In the first 20 pages, the novel tackles such issues as global warming, the weak economy and the Iraq War. While these issues are undoubtedly worth discussing, the resulting narrative reads like a cross between a solar-panel infomercial and a political diatribe. Though the political opinions begin as dialogue between characters, the author’s own opinions seem apparent as the novel continues and quotation marks begin to disappear.

A verbose discourse for readers whose political views are in alignment with those of the author.

Pub Date: Sept. 4, 2012

ISBN: 978-1479135257

Page Count: 280

Publisher: CreateSpace

Review Posted Online: Feb. 21, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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