Of interest to fans who have followed the story through the first two books, but a bumpy ride without that background.
What are you going to do after vanquishing the virals? Why, properly inoculated, refound civilization, of course.
Marilynne Robinson isn’t the only writer to situate a woman named Lila in the green groves of Iowa. Nope: Cronin (The Twelve, 2012, etc.) does so too, his Lila a warden to damaged young Kate, whose biblically named mom, Sara, has been shunted off into captivity by the Redeyes, unpleasant people made that way by genetic tinkering via the virals—they being, readers of Cronin’s predecessor volumes will recall, supersoldiers gone awry thanks to inevitable screw-ups on the parts of the mad scientists at Monsanto, or wherever mad scientists find work in these fraught times. Leave it to Amy, Alicia of Blades, Peter the martyred rock on which the future is founded (“Blood was dripping from his hair, flowing down the creases of his face”), and all the other good guys to hack and slash their ways across the landscape to the promised land of Ottumwa, or wherever it is that good guys make their ways to in the very bad near future. Cronin writes with intelligence and verve, and he serves up a good imitation of Sergio Leone: “Of Amy, the Girl from Nowhere,” he writes in a denouement, “there is no mention. Perhaps we shall never learn who she was, if she existed at all.” That there’s anyone to worry about literary archaeology 1,000 years after events means that humankind survived, so yea, but only after much gore and heroic talk befitting an apocalyptic yarn. Some of the story seems castoff Walter Miller, whose Canticle for Leibowitz imagines religious belief of the future as a reflection of oddball events in the distant past—our own time, that is. And overall, there’s a kind of slow-hissing-of-air-out-of-a-balloon feel to the whole enterprise, as if this trilogy might have better been served up as a twin set.
Of interest to fans who have followed the story through the first two books, but a bumpy ride without that background.Pub Date: May 24, 2016
ISBN: 978-0-345-50500-2
Page Count: 624
Publisher: Ballantine
Review Posted Online: March 16, 2016
Kirkus Reviews Issue: April 1, 2016
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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