by Justin Daab ‧ RELEASE DATE: July 20, 2025
A consistently funny and breezy read.
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In Daab’s novel, two half-brothers battle to take control of their father’s mega-successful cosmetics company.
Initially, the two brothers are unaware of each other’s existence. Kenny Baines is an eighth-grade science teacher at the local junior high school in Middlebury, Vermont. He is going about his ordinary morning routine when he hears that a man sharing his last name—the CEO of one of the UK’s largest privately held companies, Victoria Cosmetics—has died. Almost immediately, he is whisked away to London, where he learns that this man was his father, who decided to leave his entire estate to his “most deserving son,” either Kenny or the ultra-posh, spoiled Alistair Baines. This revelation shocks both brothers, especially Kenny, who did not know he had a sibling or a living father—his mother had told him that his father died when he was young. As stipulated in the will, both brothers are appointed Co-Vice Presidents of Innovation at the company for one year, after which time the board will vote to determine which brother “exhibits the greater ability to make the world ‘a more beautiful place.’ Winner takes all.” Kenny receives his father’s Aston Martin and a new Savile Row wardrobe, though it doesn’t quite suit him: “There I was. Kenny Baines, newly minted co-owner (sort of) of a cosmetics empire, proud possessor of a car that cost more than my house, and about as comfortable as a cat in a washing machine.” From the start, the deck is stacked against him; the board is considerably unenthused about an American taking over their company (especially one with no business experience). To make matters worse, Alistair’s half of the company contains the profitable part of the business, while Kenny’s portion “could best be described as, the dregs.” Kenny’s odds of winning are estimated to be roughly one in a million, but he eventually finds an ally in Thaddeus Wong, the owner of a Hong Kong–based cosmetics company and the second-largest shareholder in Victoria Cosmetics after the brothers. With Wong’s guidance, Kenny adopts the practice of MBWA, or “management by walking around,” meeting with employees lower down in the company hierarchy to gain a clearer picture of operations. From these conversations, he begins to piece together a plan that might give him a real chance to succeed.
While the set-up reads like that of a classic 1980s slobs-versus-snobs comedy, Daab throws enough curveballs into the mix to keep the story from becoming too formulaic. There are fun and fully-realized side characters, like Nelly, the blind busker and comedic soothsayer; Mrs. Bellingham, who memorably describes herself as “one part ninja, one part Aunt Jemima, with a splash of Walter White”; and Lily Watson, a mad scientist in the R&D department who has developed a new, unconventional cosmetic line that makes skin appear younger and fresher. Daab deftly mixes Kenny’s witty first-person narration, funny back-and-forth dialogue, and deadpan observations (“It was about profit. About maintaining the status quo. About selling more stuff, even if that stuff wasn’t as good, or as clever, or as genuinely useful as it could be. It was, I realized with a sinking feeling, a business”), keeping the laugh rate high even if the momentum dips a little in the final third.
A consistently funny and breezy read.Pub Date: July 20, 2025
ISBN: 9798292943259
Page Count: 175
Publisher: N/A
Review Posted Online: Sept. 25, 2025
Kirkus Reviews Issue: Nov. 15, 2025
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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