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BURDEN OF THE DESERT

An exciting war novel, set in a part of the world that’s never far from the headlines.

Veteran journalist and first-time novelist Huggler offers a fictional chronicle of the conflict in Iraq as seen through the eyes of its participants.

This epic novel tales place between August 2003 and July 2004, soon after the fall of Saddam Hussein’s regime. Chaos reigns throughout the country as various factions of Iraqis struggle for power. With the violence escalating, an undermanned and ill-equipped American military force strives to keep the peace, while journalists try to walk a precarious line of neutrality as they search for their next big story. Huggler creates a diverse cast of characters, including Zoe Temple, a British news correspondent grateful for an assignment to Iraq who finds more than she bargained for, and U.S. Army Lt. Rick Benes, on another extended tour in a place where death lurks around every corner. The author has an uncanny ability to stimulate readers’ senses with his vivid depictions of the landscape and atmosphere of Iraq; at times, readers may feel as if they are right there alongside the soldiers. For example, as Benes walks to a camp latrine, the author details the oppressive heat and stench of human waste carried in the swirling dust. Huggler’s characters, in a series of first-person accounts, express different perspectives on the same events, a narrative strategy that profoundly personalizes the characters and brings them to life. That said, the novel’s main characters largely don’t interact with each other directly, which can sometimes make it difficult for readers to follow the chronology. However, the continuity of this tale can best be seen afterward, when looking at the story as a whole; the thought-provoking truths found between the lines comprise the heart of this work.

An exciting war novel, set in a part of the world that’s never far from the headlines.

Pub Date: Dec. 3, 2012

ISBN: 978-1479352043

Page Count: 618

Publisher: CreateSpace

Review Posted Online: Feb. 14, 2013

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CUTTING FOR STONE

A bold but flawed debut novel.

There’s a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).

The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. “Where but in medicine,” he asks, “might our conjoined, matricidal, patrifugal, twisted fate be explained?” The question is key, revealing Verghese’s intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys’ Ethiopian identity goes unexplored. Shiva is an enigma, though it’s no surprise he’ll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.

A bold but flawed debut novel.

Pub Date: Feb. 6, 2009

ISBN: 978-0-375-41449-7

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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