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YELLOW LOCUST

The complex plot and vivid sense of place are strengths; will appeal to those who like kick-ass heroines.

In a dystopian future North America, Selena, a young white woman who is an adept street fighter, is sent across the country on a critical mission to save the world with her younger brother in tow.

Born into the elite, Selena’s parents—as part of their underground fight against a tyrannical regime—have gained access to insider information about yellow locust, an extremely toxic weed infesting the country. This weapon of biological warfare has choked out crops and fouled the water supply. Selena’s mission is to carry information about plans for a new, terrifying weapon west across the continent on a data stick to the one governing body, the Republic of California, that could possibly combat this evil. The plot may have a familiar ring and feel not-so-original, but fans of female brawlers will find ample thrills in the gritty recounting of numerous fights: Selena is a tough scrapper. She also meets serape-draped knife fighter Marcus Ramirez from Juarez, raising the possibility of a romance. Cursing abounds, but the occasionally challenging vocabulary doesn’t always sit comfortably with the depiction of prairie wastelands. Secondary characters from lands akin to Mexico and Japan add diversity to the cast.

The complex plot and vivid sense of place are strengths; will appeal to those who like kick-ass heroines. (Science fiction. 14-18)

Pub Date: May 8, 2018

ISBN: 978-1-946700-63-6

Page Count: 305

Publisher: Month9Books

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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CAST IN FIRELIGHT

From the Wickery series , Vol. 1

Will appeal to fans of fast-moving fantasy adventures.

Pledged to each other since childhood, Adraa and Jatin navigate the complex politics of their respective kingdoms.

Adraa is the heir to Belwar, and while powerful in most types of magic, she has yet to take the royal ceremony to prove her competency in all nine forms and, with it, her right to someday rule. With half its population Untouched by the Gods—unable to use magic—Belwar struggles with inequities between the Touched and Untouched, reminiscent of societal class divisions. Adraa’s strong sense of duty to her people leads her to fight against the corruption within her kingdom. Jatin, heir to their more magical neighbor Naupure, has spent years polishing his nine colors of magic at the academy, away from the realities of ruling. He and Adraa compare their magical prowess and progress through letters. When Jatin finally leaves the academy, a series of mishaps results in both of them hiding their true identities even as they grow closer in their fight against a ruthless gang. This intricate world with magic-fueled, action-packed fight scenes and snarky, colloquial banter is loosely infused with Asian Indian cultural references. The story also discusses questions of gender inequality, freedom, self-worth, and identity. Adraa and Jatin both have black hair; in contrast to the cover image, the text makes clear that Adraa is very dark-skinned while Jatin has lighter brown skin.

Will appeal to fans of fast-moving fantasy adventures. (deities and their powers, author’s note) (Fantasy. 14-18)

Pub Date: Nov. 17, 2020

ISBN: 978-0-593-12421-5

Page Count: 448

Publisher: Delacorte

Review Posted Online: Aug. 27, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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