by Justin Lifflander ‧ RELEASE DATE: Sept. 9, 2014
A real-life Cold War tale filled with nostalgia, exuberance and satirical wit.
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Lifflander’s debut memoir of his time as an aspiring spy in Moscow, where he fell in love with a Russian woman who may have been keeping an eye on him for the KGB.
Lifflander thought his dream of being a spy had come true when, as a recent graduate in 1987, he got a job as a driver/mechanic at the U.S. Embassy in Moscow. He was soon assigned to the On-Site Inspection Agency, part of the treaty between the USSR and U.S. to eliminate nuclear missiles; essentially, the American OSIA ensured that the Soviets were implementing the treaty. Sofia was one of the Soviet “escorts,” comprised mostly of young ladies who oversaw the U.S. inspectors while also (covertly) watching for potential intelligence-gathering. Lifflander and Sofia tried to hide their developing romance but quickly realized that hiding a relationship isn’t easy when you’re surrounded by spies. Both the author’s title and foreword hint at the story’s tongue-in-cheek approach: Lifflander refers to the USSR’s alarming shortage of socks as the “sock crisis”; and he notes that a chef at the missile inspection facility graduated from the CIA—the Culinary Institute of America. But Lifflander doesn’t force the humor; it’s derived from the absurdity of countless situations and twisted activities, like the Americans’ intermittently moving a trio of pink flamingos for no other reason than to keep the ever observing Soviets guessing. Lifflander’s predicament became considerably dourer when the KGB suspected he was an intelligence officer, though it was a hilarious misunderstanding: He was digging through basement walls in an American building searching for a bug merely out of boredom. The book’s final act, however, which centers on Lifflander and Sofia’s (and Sofia’s son, Max) trying to make a future together, turns somber and somewhat depressing. The story’s still engaging, though, even without the laughs, thanks to Lifflander, whose refusal to give up on a life with Sofia is something to be admired. Lifflander includes a number of black-and-white photographs to complement the text, but his descriptions are so dynamic and graphic that the pictures aren’t necessary; for instance, when Lifflander and Sofia walk into a cathedral and a “sea of babushkas,” readers will already have the image.
A real-life Cold War tale filled with nostalgia, exuberance and satirical wit.Pub Date: Sept. 9, 2014
ISBN: 978-0692259948
Page Count: 282
Publisher: Gilbo Shed
Review Posted Online: Oct. 17, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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