Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015

Next book

HOW NOT TO BECOME A SPY

A MEMOIR OF LOVE AT THE END OF THE COLD WAR

A real-life Cold War tale filled with nostalgia, exuberance and satirical wit.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015

Lifflander’s debut memoir of his time as an aspiring spy in Moscow, where he fell in love with a Russian woman who may have been keeping an eye on him for the KGB.

Lifflander thought his dream of being a spy had come true when, as a recent graduate in 1987, he got a job as a driver/mechanic at the U.S. Embassy in Moscow. He was soon assigned to the On-Site Inspection Agency, part of the treaty between the USSR and U.S. to eliminate nuclear missiles; essentially, the American OSIA ensured that the Soviets were implementing the treaty. Sofia was one of the Soviet “escorts,” comprised mostly of young ladies who oversaw the U.S. inspectors while also (covertly) watching for potential intelligence-gathering. Lifflander and Sofia tried to hide their developing romance but quickly realized that hiding a relationship isn’t easy when you’re surrounded by spies. Both the author’s title and foreword hint at the story’s tongue-in-cheek approach: Lifflander refers to the USSR’s alarming shortage of socks as the “sock crisis”; and he notes that a chef at the missile inspection facility graduated from the CIA—the Culinary Institute of America. But Lifflander doesn’t force the humor; it’s derived from the absurdity of countless situations and twisted activities, like the Americans’ intermittently moving a trio of pink flamingos for no other reason than to keep the ever observing Soviets guessing. Lifflander’s predicament became considerably dourer when the KGB suspected he was an intelligence officer, though it was a hilarious misunderstanding: He was digging through basement walls in an American building searching for a bug merely out of boredom. The book’s final act, however, which centers on Lifflander and Sofia’s (and Sofia’s son, Max) trying to make a future together, turns somber and somewhat depressing. The story’s still engaging, though, even without the laughs, thanks to Lifflander, whose refusal to give up on a life with Sofia is something to be admired. Lifflander includes a number of black-and-white photographs to complement the text, but his descriptions are so dynamic and graphic that the pictures aren’t necessary; for instance, when Lifflander and Sofia walk into a cathedral and a “sea of babushkas,” readers will already have the image.

A real-life Cold War tale filled with nostalgia, exuberance and satirical wit.

Pub Date: Sept. 9, 2014

ISBN: 978-0692259948

Page Count: 282

Publisher: Gilbo Shed

Review Posted Online: Oct. 17, 2014

Kirkus Reviews Issue: Nov. 15, 2014

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview