A savage YA read filled with fish men, cutting wit, and supernatural gore.
The first volume of a paranormal horror series delivers a tale about a New England town in the grip of a monstrous cult.
Fourteen-year-old Abigail Thorndike, of Arkham, Massachusetts, lives on the rich side of town. As September arrives, she’s set to enter the prestigious Arkham Academy. Joining Abby will be her best friends, Sindy Endicott and Nate Baxter. As a final summer bash, the trio attends a carnival. There, they encounter a clique of the town’s rich and powerful scions—Bryce Coffin, Charity Duckworth, and Eleazar Grant—among others. Surprisingly, the cool kids allow Abby and her friends to tag along as they raise a ruckus inside the carnival. Later, as Abby is pressured to drink alcohol, her head begins pounding. She escapes the scene only to end up in a mirrored fun house. Inside, she sees nightmare versions of herself before blacking out from intense pain. She wakes up at home in bed and has little choice but to leave for her first day at Arkham Academy. She continues to experience “dizziness and loathing,” but this time after blacking out, she awakens to find the school infested with vile, disc-mouthed fish men. These fearsome creatures have “spines and fins sprouted in irregular patches” across their exposed skin, “colorless and milky” eyes, and “ragged and bloody red” gills. Robinson (The Last Son of Ahriman, 2015, etc.) and Rodriguez (Skylanders: Light in the Dark, 2016) make superb use of author H.P. Lovecraft’s fictional town of Arkham as well as the Deep Ones (anthropoid fish). Commentary on class divisions is plentiful because Nate’s family lives across town, and he and his father work as groundskeepers for the wealthy families. Igniting this page-turner, however, is the mystery behind the Daughters of Arkham, a charitable organization of blue-blooded women, most of whom seem to be widows. While teen drama engulfs Abby, she’s also cursed as the only one who can see Arkham’s fish men. And though the characters are young adults, their liberal use of words like “slut” marks this story for older teens. The end cleverly wraps around an early detail, broadening the saga for its next installment.
A savage YA read filled with fish men, cutting wit, and supernatural gore.Pub Date: Oct. 2, 2015
ISBN: 978-0-9895744-1-9
Page Count: 428
Publisher: Th3rd World Studios
Review Posted Online: Feb. 25, 2016
Kirkus Reviews Issue: April 15, 2016
Review Program: Kirkus Indie
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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