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ALBIE ON HIS WAY

Subtle and kindhearted.

Albie, a rodent known for speed, sets out to deliver an important scroll from the king to the neighboring monarch, but detours interrupt his trip.

After a series of good deeds, among them helping a squirrel family whose father was injured when he fell out of a tree, returning a lost ball to a “sad little critter,” and looking after the children of a tired mother pig who needs to do her shopping, Albie encounters a threatening bulldog and must take a different route. Lost and exhausted, the rodent is rescued by kind groundhog Alma; Albie recovers and develops a close relationship with her. Finally, Albie arrives at the neighboring castle—or so it seems. “How surprised I was to find my VERY OWN king!” Albie has gone full circle without ever delivering the important message. But the benevolent king, grateful for the intriguing distraction, is more interested in hearing about Albie’s adventures; Albie is rewarded with a house, Alma is invited to move in, and the two start a family. Albie narrates this German import, with colorful, charming cartoons bringing the tale to life. Meanwhile, a second story deftly unfolds in a wordless series of black-and-white shaded scenes below each of Albie’s episodes, detailing the porcine king’s rather lonely existence—an understated yet resonant message that friendship and connection are what enrich life. (This book was reviewed digitally.)

Subtle and kindhearted. (Picture book. 5-8)

Pub Date: Oct. 11, 2022

ISBN: 978-1-63655-032-9

Page Count: 36

Publisher: Red Comet Press

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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