A poignant, if sometimes cloying, marriage of wartime fiction and fact.
A debut novel about a boy’s all-too-quick passage into manhood during World War I.
Yanowitz delivers a multilayered narrative about a Jewish Englishman, Neuman Director. His grandson, John, discovers a letter that refers to Neuman’s memoirs, which tell of his experiences during the First World War. As a 14-year-old boy living in the Jewish Quarter of London in 1918, Neuman lies about his age and enlists in the British Army, joined by his best friend, Zachary. Emboldened by the thought of claiming Palestine as a safe harbor for his fellow Jews, Neuman leaves his aggrieved but proud family and joins one of the army’s Jewish brigades, eventually dubbed the Judeans. He enters the war quickly; instead of the usual two weeks of training camp, he has a paltry three days before he sets sail for Egypt, ready to experience combat. Cocksure, athletically nimble and conversant in five languages, Neuman draws his superior officers’ attention, and they choose him for a secret initiative to smuggle British rifles to Jewish Palestinians along the Turkish border. Along the way, he meets Rachel, the beguiling daughter of a prominent Jewish family in Cairo; their romance is complicated by the family’s close friendship with Major Silbur, to whom Neuman serves as a valet. Between 2008 and 2011, Neuman’s grandson, John, devotes himself to tracking down a book that Neuman apparently wrote while he was a soldier. John’s quest leads him to dramatic revelations about his grandfather’s espionage career. Yanowitz delivers an enthralling personal drama nested inside a grand historical narrative. However, the novel’s excessively earnest dialogue sometimes slows the action; at one point, Neuman mawkishly expresses his grief: “Why you? I vow I will make your death worthwhile.” That said, John’s search for his grandfather’s book adds to the drama, deftly contributing factual detail along the way.
A poignant, if sometimes cloying, marriage of wartime fiction and fact.Pub Date: May 2, 2013
ISBN: 978-1482057607
Page Count: 396
Publisher: CreateSpace
Review Posted Online: July 25, 2013
Review Program: Kirkus Indie
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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