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CHARLOTTE CUTS IT OUT

An engaging if somewhat heavy-handed exploration of the need for a personal makeover on all levels.

A controlling teen grows up.

One might think the title of Barson’s second teen novel (45 Pounds (More or Less), 2013) refers to hair or fabric, but what’s really in need of modification here is narrator/protagonist Charlotte Pringle’s behavior. Set in a monochromatic middle America, this classic tale of individuation centers on driven Charlotte’s understanding of herself, particularly in relation to her best friend, Lydia, and to her mother. Now high school juniors, in eighth grade, Charlotte and Lydia formed their “Grand Plan” to go to cosmetology school and then open a salon together. Though Charlotte’s mother “considers a hairdresser someone you hire, not something you become,” Charlotte follows her heart and her talents, determined, with Lydia’s help, to nab scholarship money to further her career. Charlotte’s career trajectory gets tested mightily when Lydia starts acting strangely, forcing Charlotte to wonder how she could have been so naïve as to think her life could be under her control and to face some unpleasant truths about herself. While Barton’s plot-driven narrative involves rather predictable twists—besties on the rocks over some cad, a mother-daughter contest of wills, public humiliation, even a birth amid stormy weather—it still offers important lessons in self-realization and collaboration.

An engaging if somewhat heavy-handed exploration of the need for a personal makeover on all levels. (Fiction. 12-18)

Pub Date: April 5, 2016

ISBN: 978-0-451-46893-2

Page Count: 368

Publisher: Viking

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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THE LINES WE CROSS

A meditation on a timely subject that never forgets to put its characters and their stories first

An Afghani-Australian teen named Mina earns a scholarship to a prestigious private school and meets Michael, whose family opposes allowing Muslim refugees and immigrants into the country.

Dual points of view are presented in this moving and intelligent contemporary novel set in Australia. Eleventh-grader Mina is smart and self-possessed—her mother and stepfather (her biological father was murdered in Afghanistan) have moved their business and home across Sydney in order for her to attend Victoria College. She’s determined to excel there, even though being surrounded by such privilege is a culture shock for her. When she meets white Michael, the two are drawn to each other even though his close-knit, activist family espouses a political viewpoint that, though they insist it is merely pragmatic, is unquestionably Islamophobic. Tackling hard topics head-on, Abdel-Fattah explores them fully and with nuance. True-to-life dialogue and realistic teen social dynamics both deepen the tension and provide levity. While Mina and Michael’s attraction seems at first unlikely, the pair’s warmth wins out, and readers will be swept up in their love story and will come away with a clearer understanding of how bias permeates the lives of those targeted by it.

A meditation on a timely subject that never forgets to put its characters and their stories first . (Fiction. 12-17)

Pub Date: May 9, 2017

ISBN: 978-1-338-11866-7

Page Count: 402

Publisher: Scholastic

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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