A well-conceived and -written exploration of the traps hidden in the art of mental healing.
“Can you have a breakdown in a breakdown?” Clinical neuropsychologist Benjamin delivers tales of disturbed minds—not least of them his own.
Listen, assess, prescribe: It’s a process that every psychiatrist follows, sometimes countless times in the course of a working year. But what is that doctor hearing? “Studies have shown that your generation, our generation, lies on average two or three times every ten minutes, men to make themselves look better, women to feel good,” writes the author. So how much of the assessment is built on untruths, and how much on observable reality? As Benjamin notes, an average one may contain 100 mistruths, depending on what and how much the patient chooses to reveal. Some of the cases that present themselves to the author are sufferers from dementia, which itself can hide behind misrepresentations, as he recounts when trying to attend to his own mother, “a mother and son mirroring each other’s confusion.” Others are grandiose, delusional, even dangerous. As Benjamin observes, attempts to help are often of the blind-men-and-elephant variety, with different specialists often coming to very different conclusions about a single patient—the oncologist looking for the brain tumor, the psychologist looking for the moment of fracture in a person’s history, and so forth. Given all this, the author ironically proposes an entry in the diagnostician’s manual for a syndrome named after himself, one that describes “an obsession with the singularity of your diagnosis while fearing that any specific diagnosis is too narrow.” So it’s small wonder that so many mental health workers suffer from plaguing doubts and maladies of their own, alleviated, perhaps, by the thought that “however sick, however mad, there would always be someone worse in need of looking after.”
A well-conceived and -written exploration of the traps hidden in the art of mental healing.Pub Date: June 11, 2019
ISBN: 978-1-5247-4438-0
Page Count: 304
Publisher: Dutton
Review Posted Online: April 22, 2019
Kirkus Reviews Issue: May 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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