Urban fantasy whose original ideas aren't sustained by the overall package.
In this sequel to Lightbringer (2011), Wendy just tries to survive in the complicated dual world she inhabits. She's inherited the duties of a Reaper from her mother, who recently died and then became an evil adversary—in that order. Wendy exists simultaneously in the worlds of the living and the dead, taking care of her siblings in the real world but using her Light to destroy maggoty Walkers in the parallel Never, the world of the dead. When a new and dangerous opponent arises among the dead, Wendy's erstwhile (and deceased) boyfriend, Piotr, navigates the overly complex metaphysics and politics of the Never in an attempt to help her. Meanwhile, Wendy discovers a never-known family of aunts, grandmothers and female cousins, Reapers all, and most definitely not on her side. Realism is not enhanced by Piotr's friends: Lily, who, like the Tiger Lily of Peter Pan for whom she is named, plays generic exotic Indian rather than an individual from an actual tribe, and ghostly flapper Elle, whose Damon Runyon–esque dialogue ("it's the cat's meow to doll up and ritz it up for a night again") feels as forced as Piotr's frequent das and nyets.
What could be interesting worldbuilding drowns in infelicitous prose and inexplicable machinations . (Fantasy. 13-15)Pub Date: Aug. 24, 2012
ISBN: 978-1-61614-632-0
Page Count: 340
Publisher: Pyr/Prometheus Books
Review Posted Online: June 13, 2012
Kirkus Reviews Issue: July 1, 2012
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BOOK REVIEW
BOOK REVIEW
A lost prince and his ladylove must defeat the tyrant rampaging over the steppes with an army of enslaved spirits in this sequel to The Oathbreaker’s Shadow (2015).
Raim is haunted by the spirit of his best friend, Khareh—a spirit that appeared when Raim accidentally broke an oath made by another, leaving him magically marked and exiled from his nomadic tribe as an oathbreaker. Khareh yet lives, but with the best part of himself lost in the spirit, his ambition has become megalomania. Not content to be khan of his tribe alone, Khareh aims to join all the northern nomads into one massive khanate. Raim seeks control over his spirit but also yearns to rescue Wadi, the dark-skinned desert girl to whom he's given his heart. Wadi is Khareh's captive, and she is more than capable of freeing herself from the cruel young khan; nevertheless she must stay a captive. It's her destiny to make a king of Raim, she learns from a blind seer in one of the stalest tropes of superpowered disability. Raim, Khareh, and Wadi travel all over the steppes of Darhan, giving a solid glimpse of this fantasy world roughly based on the lives of Mongolian nomads. A dense narrative of tiny chapters with shifting points of view leaves little time to become invested in each character's journey.
Though it’s a bit of a slog, readers of Book 1 will find it worth the time for its unexpected conclusion . (Fantasy. 13-15)Pub Date: Feb. 8, 2016
ISBN: 978-0-7387-4512-1
Page Count: 456
Publisher: Flux
Review Posted Online: Nov. 17, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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A Texas bayou holds memories and secrets, weaving together people and animals through connected histories.
Buffalo Bayou takes her place as part of an ensemble cast that spans nearly two centuries. Sixteen-year-old Cade Curtis is a white boy who works alongside his father stealing angel statues from cemeteries for an antiques dealer, and Soleil Broussard is a 16-year-old Creole Christian with a tiny honey bear jar tattooed on her wrist. The two attend school together in present-day Houston, Texas, but the story intertwines their connection with stories of slaves and an ocelot in a narrative that runs away like the rushing of a river. Texas is a gorgeous backdrop for the story, eliciting haunting imagery that spotlights the natural beauty of the state. Each character helps piece together a quilt of experiences that stream from the omnipresent bayou who sees, hears, and protects, and the revelations of their overlapping connections are well-paced throughout. The novel is less successful, however, at underscoring why there are so many voices battling for space in the text. Too-short vignettes that are rather haphazardly forced together provide glimpses into the lives of the characters but make it difficult to follow all of the threads. While an author’s note offers historical background explaining the inspiration for the characters, it does not provide sufficient cohesion.
Moving imagery is muddied by disjointed character representation in a novel that feels overcrowded. (author’s note) (Fiction. 13-15)Pub Date: March 12, 2019
ISBN: 978-1-4424-2109-7
Page Count: 336
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Feb. 10, 2019
Kirkus Reviews Issue: March 1, 2019
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