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KNIGHT OF FLAMES

From the Inheritance series , Vol. 2

An energetic urban-fantasy sequel that skillfully expands the saga’s worldbuilding and cast.

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Two lovers with supernatural powers meet others with similar abilities in this sequel. 

British Earl Quentin d’Arcy, who’s convinced his father killed his mother six years ago, fled his home country. The 25-year-old has kept a low profile in San Diego, California, which has recently proved rewarding. He’s now dating and in love with Laurence Riley, who lives and works at a flower shop with his mother, Myriam. Laurence, the more sexually experienced of the two, is taking things slowly. Physical intensity tends to spike Quentin’s anxiety, which causes him to lose control of his telekinesis and potentially put Laurence in danger. Laurence has talents as well, including precognition, but Quentin soon realizes they aren’t the only people with superpowers. He catches the attention of Kane Wilson, who wants to know why his mind control doesn’t work on Quentin. Wilson has been “liberating” teens with special abilities and helping them learn to control them. Quentin’s association with Wilson’s group leads to his discovery of another power: creating fire. This unfortunately ties to Laurence’s cryptic vision of the future—Quentin in his arms and both men seemingly on the verge of a fiery demise. Laurence and Quentin begin to suspect Wilson isn’t so much charitably aiding youngsters as he is amassing a team of superpowered fighters. Quentin then takes a risk by accepting Wilson’s offer to join them, with the hope of staying close and uncovering what the man is truly planning. In Book 2 of this lively urban-fantasy series, Faulkner (Jack of Thorns, 2019) immediately depicts Laurence and Quentin basking in an already established romance. This sets a consistent pace from the beginning, which the author maintains by providing expository bits to catch up new readers. The couple’s relationship shows signs of evolving, as they continue to learn about each other’s families and personal histories and occasionally suffer pangs of jealousy. Though their intimate scenes of exclusively kissing may seem straight out of a YA novel, they progressively turn steamier: Quentin “pressed himself against Laurence’s body, stifling his panic against the other man’s flesh, biting down on his shoulder to keep himself from tipping over the edge.” These scenes deftly showcase two men who are savoring their romance. But Myriam, who shined brightly in the series opener, has disappointingly few appearances. Picking up the slack is Quentin’s twin, Freddy, who manages to find his brother in San Diego. Freddy is both smart and helpful as well as a standout character thanks to his affectionate nickname for Quentin: Icky (an abbreviation of his middle name, Ichabod). The supernatural element, as in the preceding book, never completely monopolizes the narrative. Nevertheless, there are plenty of new, intriguing characters in Wilson’s group, who sport varying powers, from electrokinesis to an uncanny stealth capability. Laurence and Quentin, meanwhile, hone their formidable skills, including the former’s attempt to induce a vision that reveals a past, rather than a future, event. The effective final act boasts action, characters in peril, and a denouement that, not surprisingly, teases the next volume.

An energetic urban-fantasy sequel that skillfully expands the saga’s worldbuilding and cast.

Pub Date: Sept. 17, 2019

ISBN: 978-1-912349-12-8

Page Count: 388

Publisher: Ravenswood Publishing

Review Posted Online: Nov. 14, 2019

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THE LIFE LIST

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Devastated by her mother’s death, Brett Bohlinger consumes a bottle of outrageously expensive Champagne and trips down the stairs at the funeral luncheon. Add embarrassed to devastated. Could things get any worse? Of course they can, and they do—at the reading of the will. 

Instead of inheriting the position of CEO at the family’s cosmetics firm—a position she has been groomed for—she’s given a life list she wrote when she was 14 and an ultimatum: Complete the goals, or lose her inheritance. Luckily, her mother, Elizabeth, has crossed off some of the more whimsical goals, including running with the bulls—too risky! Having a child, buying a horse, building a relationship with her (dead) father, however, all remain. Brad, the handsome attorney charged with making sure Brett achieves her goals, doles out a letter from her mother with each success. Warmly comforting, Elizabeth’s letters uncannily—and quite humorously—predict Brett’s side of the conversations. Brett grudgingly begins by performing at a local comedy club, an experience that proves both humiliating and instructive: Perfection is overrated, and taking risks is exhilarating. Becoming an awesome teacher, however, seems impossible given her utter lack of classroom management skills. Teaching homebound children offers surprising rewards, though. Along Brett’s journey, many of the friends (and family) she thought would support her instead betray her. Luckily, Brett’s new life is populated with quirky, sharply drawn characters, including a pregnant high school student living in a homeless shelter, a psychiatrist with plenty of time to chat about troubled children, and one of her mother’s dearest, most secret companions. A 10-step program for the grief-stricken, Brett’s quest brings her back to love, the best inheritance of all. 

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Pub Date: July 30, 2013

ISBN: 978-0-345-54087-4

Page Count: 368

Publisher: Bantam

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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