An erotic yet high-minded literary achievement.
Dark academia meets forbidden love as an English boarding school matron falls in love with the headmaster’s wife, Mrs. S.
Unfolding through interior monologue, the novel follows the matron as she navigates her growing attraction to Mrs. S amid the politics of school administration and the complicated adolescent power dynamics of “The Girls,” as she calls the students. The protagonist, identified only as “Miss,” is drawn to Mrs. S from their first encounter, commenting, “I am discovered, I burn. Like her I stand my ground. Dare her to wave, to give that hand to me.” Given the circumstances, however, their erotic relationship evolves slowly and behind closed doors—via glances held just a moment too long or a finger grazing a back. As desire trumps vigilance, they increasingly risk exposure by colleagues, Mr. S, and even The Girls. “Loving her will be impossible,” the narrator confesses. “There is nothing I can do to stop it.” Patrick’s deft manipulation of narrative time and use of interior monologue to describe the tensions among thought, intention, and action recall the work of Virginia Woolf. The novel is also strikingly cinematic in its rendering of intimate moments: the setting sun filling the space between bodies moving closer toward each other in a kitchen, Mrs. S’ hand sliding slowly across the spines of the narrator’s books during a secret rendezvous. The drama of the forbidden affair keeps the reader voraciously turning the pages, but on a deeper level, the novel also offers an incisive and nuanced reflection on self-evolution as the narrator navigates the complexities of gender identity, social power, and the dynamic tension between private and public selves.
An erotic yet high-minded literary achievement.Pub Date: June 20, 2023
ISBN: 9781609458409
Page Count: 240
Publisher: Europa Editions
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
PERSPECTIVES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
A smart and engaging literary thriller that bears down too hard on its themes.
At the home of an eccentric millionaire, a woman discovers out-of-the-ordinary events.
When her husband is invited to finish writing his book at the island home of a reclusive millionaire, Anna is relieved: If he sells it, they’ll be able to keep their Bronx apartment and she won’t have to go back to work at the laundry. It’s 1918, and Charles Fort—based on a real-life figure—is hard at work on a book about unexplained phenomena, such as objects falling from a clear sky: frogs, for example, or even bits of flesh, or blood. If Anna has doubts about the legitimacy of his research, she keeps them to herself. In any case, when the millionaire Claude Arkel offers the couple a place to stay for the winter, they eagerly accept. Almost immediately, though, things seem to be off. Arkel runs a school for wayward girls, and three students are missing. Meanwhile, there’s no sign of Arkel himself, and with the Spanish flu raging in the outside world, the Forts are stuck in quarantine. Bakis’ latest novel has the pacing and suspense of a smart literary thriller: It’s almost impossible to put down once you’ve started it. But Bakis can be heavy-handed in her treatment of the themes that undergird her story—in this case, women who support ambitious men. That’s not to say Bakis’ case doesn’t hold water, but she strikes the same note again and again in a way that is more repetitive than satisfying. So, for example, when the Forts first arrive on Arkel’s island, and Charles observes that the grand house is “modeled on the Château de Chambord in the Val de Loire” and Anna responds, “I know, I’m the one who showed you the article,” the mansplaining moment isn’t nearly as funny as it was apparently intended to be; it's just frustrating, in a teeth-grinding way.
A smart and engaging literary thriller that bears down too hard on its themes.Pub Date: Feb. 20, 2024
ISBN: 9781324093534
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
PERSPECTIVES
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