by K.A. Reynolds ‧ RELEASE DATE: Aug. 27, 2019
An interesting if imperfect story commendable for its portrayal of a protagonist suffering from anxiety and possibly PTSD.
“Cursed” Annalise journeys through a labyrinth to reverse it.
A fairy tale–esque preface chronicles the birth of twin princesses in the Mazelands: the hated, pale-skinned Fate Spinner and the beloved, dark-skinned Spinner of Dreams. The story proper opens with the birth of Annalise Meriwether. Her “cursed” left hand, twice as large as her right, bears a broken black heart—the Fate Spinner’s mark—that occasionally shoots fire and is blamed for the town’s persistent miseries. Though her parents are incredibly loving and supportive, the townsfolk are abusive. Understandably traumatized, Annalise uses such mechanisms as counting to cope. Refreshingly, Annalise’s anxiety and coping strategies aren’t portrayed as obstacles or deficits. Hoping for “a normal left hand,” Annalise travels to the Mazelands to face the perils of the Fate Spinner’s labyrinth—and her misbeliefs about herself and her “wicked” hand. The plot itself is labyrinthine and its exploration of fate uneven. Moreover, the Fate Spinner’s evil comes across as simplistic, in contrast to the story’s other, more fully developed villains. The tiresome convention that equates dark with evil is turned on its head with the Spinner sisters’ skin colors, but most everything else, disappointingly, aligns with it. Annalise’s mother has brown skin, but Annalise herself is described only as having straight black hair and purple eyes. Mental health resources are provided in the backmatter.
An interesting if imperfect story commendable for its portrayal of a protagonist suffering from anxiety and possibly PTSD. (author’s note) (Fantasy. 10-14)Pub Date: Aug. 27, 2019
ISBN: 978-0-06-267395-4
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Dav Pilkey & illustrated by Dav Pilkey ‧ RELEASE DATE: Aug. 28, 2012
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Katherine Marsh ; illustrated by Kelly Murphy
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