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BURYING WATER

A sexy, romantic, gangster-tinged page-turner.

Beaten, raped, left for dead—a young woman slowly repairs her body, but her mind refuses to tell her the awful truth of what really happened.

The woman was found in an isolated field by Jesse Welles, a prodigiously talented car mechanic. The local doctor and sheriff understandably take an interest in the case, but they’re also Jesse’s parents and are strangely eager to keep him away from her. Even aside from finding the woman in the field, Jesse’s the kind of guy who stops in a storm to help a woman stranded on the side of the road, and she rewards him with a powerful kiss. She’s out of his league, so Jesse is startled to see her again at a nightclub, where the powerful Viktor Petrova makes him a deal that’s hard to resist: Rebuild Viktor’s Aston Martin DB5 in exchange for Jesse’s dream car, a ’69 Barracuda. Viktor’s business dealings are probably illegal, and his abused wife looks a lot like the mysterious woman who kissed Jesse. Nonetheless, Jesse finds himself at the Petrovas’ house every day, getting to know Viktor’s wife very well indeed. Meanwhile, Jesse’s mother cares for the anonymous woman. Balking at the label “Jane Doe,” which only emphasizes her ghost of an existence, she chooses a new name based on a small tattoo balanced on her hip: Water. With the help of Jesse’s mother, she finds a home with Ginny Fitzgerald. The woman, her memories, her emotional wreckage—all, like water, must inevitably surface. As Water does rise, she finds herself increasingly wondering about Jesse. Why is he so skittish around her? Why is she so drawn to him? Tucker (Five Ways to Fall, 2014, etc.) deftly steers the damsel-in-(serious, nearly fatal, possibly mob-related)-distress-rescued-by-a-knight-in-shining-armor storyline, making these star-crossed lovers compelling.

A sexy, romantic, gangster-tinged page-turner.

Pub Date: Oct. 7, 2014

ISBN: 978-1-4767-7418-3

Page Count: 368

Publisher: Atria

Review Posted Online: Sept. 27, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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