A glowing, heartfelt addition to the middle-grade LGBTQ genre.
Two middle school girls grapple with their blossoming feelings for each other in this verse novel.
Tam is a volleyball player sometimes mistaken for a boy. Kate is a popular cheerleader. When they notice each other at seventh grade registration, Tam sees a walking cliché with a perfect ponytail, while Kate sees a girl as “tall as a palm tree.” When they meet face to face, they strike an immediate rapport. Soon the two are having lunch together every day and linking pinkies in the halls. As they grow closer, each finds herself questioning who she thought she was. Tam doesn’t know how she fits into Kate’s seemingly perfect world. Kate, who has spent her life trying to live up to her shallow, perfectionist mother’s expectations, wants to go her own way, a process that includes deciding whether or not to admit her feelings for Tam. Tam and Kate share the first-person narration, which keenly conveys each girl’s joys and inner turmoil. The dual narratives play off of each other, sometimes in a call-and-response manner that clearly communicates the shyness, awkwardness, and confusion of first love. A trio of unseen watchers, identified as Alex, Alyx, and Alexx, collectively represent the observant school-hallway bystanders, providing commentary and speculation in the manner of a Greek chorus. Their verses can be read vertically or horizontally, resulting in multiple meanings. Characters are racially ambiguous.
A glowing, heartfelt addition to the middle-grade LGBTQ genre. (Fiction. 8-14)Pub Date: Oct. 1, 2019
ISBN: 978-1-4521-7288-0
Page Count: 424
Publisher: Chronicle Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Elegiac and hopeful.
In the wake of his brother’s death, a black boy struggles with grief and coming out.
When Kingston’s white friend Sandy came out to him a few months ago, Kingston’s older brother, Khalid, told him to stay away from Sandy because King wouldn’t want people to think he was gay too. And then Khalid died. Their mom wants him to see someone, but King refuses because he knows he has nothing to say except that he is sad. Although his dad says boys don’t cry, King can’t stop the tears from coming every time he thinks of Khalid. But King knows that his brother is not really gone: Khalid “shed his skin like a snake” and is now a dragonfly. Complicating King’s grief over the sudden loss of his brother is the fear that Khalid would not still love him if he knew the truth—King is gay. Every day after school King walks to the bayou searching for Khalid, wondering if he can ever share who he is. When Sandy goes missing, King must come to terms with the true cost of shame. The tale is set in Louisiana, and Callender’s vivid descriptions of the rural area King calls home are magical; readers will feel the heat and the sweat, see the trees and the moss. This quiet novel movingly addresses toxic masculinity, homophobia in the black community—especially related to men—fear, and memory.
Elegiac and hopeful. (Fiction. 8-12)Pub Date: Feb. 4, 2020
ISBN: 978-1-338-12933-5
Page Count: 272
Publisher: Scholastic
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of...
Four decades separate Sonia Nadhamuni and Judy Blume’s Margaret Simon, but these feisty, funny offspring of Jewish interfaith marriages are sisters under the skin.
Perched on the uncertain cusp of adulthood, each grapples with perplexing cultural identity issues, but in very different worlds. While Margaret’s grandparents pressure her to label herself as they wish, it’s Sonia’s peers who expect her to define herself racially and culturally. Having a nominally Hindu, Indian-immigrant dad and Jewish-American mom wasn’t a big deal until her father lost his job. Now Sonia must leave her comfortably small private school behind and—with Dad sinking into clinical depression and Mom taking on more work—chart her own course at Maplewood Middle School. Where does she fit? With the cheerleaders like pretty, blonde Kate or the bussed-in, city kids like Alisha, who’s writing a novel? Sonia’s the only cheerleader not invited to Peter Hanson’s birthday party. Is racism the cause? As in real life, her challenges don’t come neatly compartmentalized; Sonia will have to work out her mixed-heritage identity while contending with stressed-out parents, financial woes and vexing social uncertainties. Multifaceted characters, especially Sonia—astute, observant and original—provide depth.
Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of adolescent identity with affectionate humor. (Fiction. 9-13)Pub Date: Jan. 10, 2012
ISBN: 978-0-385-74128-6
Page Count: 224
Publisher: Delacorte
Review Posted Online: Nov. 1, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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