An inventive, exciting, funny ride with surprising emotional resonance–a bloody good time.
High school drama, heartbreak and zombies.
Schloegel’s meta-novel features lovelorn teens battling a zombie invasion, but the real emotional stakes are found in the interstitial blog entries of “plain/unusual” protagonist Eleanor Armstrong–a fiercely intelligent, alienated high school student working out her issues through writing about the undead and other horrors of secondary education. The superpowers referenced in the title refer to the beauty and popularity of Eleanor’s protagonist and stand-in, Sarah, a plucky “pop girl” with a smart mouth pitched somewhere between Buffy the Vampire Slayer and Juno. Sarah negotiates her friendship with social pariah Marky and crush on popular boy Brandon while repelling zombies with admirable aplomb, but Eleanor has serious trouble with her relationships, including a strained detente with her emotionally reserved FBI agent father, a new wrinkle in her cozy bond with a nerdy friend and a disturbing discovery about her younger brother that leads Eleanor, most improbably, to an interest in weight lifting and the discovery of her unexpected superpowers. The zombie sections of the narrative are funny and scary in the best zombie-apocalypse tradition, and the revelations about Eleanor’s life in her blog posts deftly contextualize the action of her novel and deepen the emotional impact of both stories. The back-and-forth banter between Eleanor and Marky reads as authentic and smart teenspeak, and Schloegel convincingly conveys the desperation, loneliness and, above all, boredom of adolescence–a boredom that drives students to prey upon each other like the reanimated corpses that menace Sarah and Brandon. Eleanor has an instantly believable and engaging voice, a bracing moral intelligence, generosity of spirit and her novel is a hoot.
An inventive, exciting, funny ride with surprising emotional resonance–a bloody good time.Pub Date: Sept. 13, 2009
ISBN: 978-1439249758
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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