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IN THE UPPER COUNTRY

An exceptional work that mines a rich historical vein.

A killing in 19th-century Canada sparks a chain of revelations in this fine debut novel.

It’s the summer of 1859 in a town in southern Canada called Dunmore, “populated by refugees of slavery.” Lensinda Martin is a housekeeper, a newspaper reporter, and a young Black woman with healing knowledge who is asked to help a White Ohioan shot by one of the two women he’s been hunting under the auspices of the Fugitive Slave Act. Sinda arrives too late to save him, but she interviews Cash, the shooter, in jail, seeking a backstory that will bolster the woman's legal case. Instead, Cash asks her: “Will you barter with me? A tale for a tale?” So begins a beguiling exchange of personal stories that will draw surprising links between Sinda and Cash while dipping into slave narratives that highlight historical relations between Blacks and Native Americans, especially in the War of 1812. In one such tale, a young slave in Virginia named Chiron is led to “the underlands, a Negro village of warriors” built entirely from underground tunnels and chambers. Chiron will meet a Native American named John whose journal will provide some of these stories and whose Black wife is young Cash. Other Native Americans will capture Cash and sell her into slavery in Kentucky. Two of her children will be fierce warriors in the 1812 war. Returning later to the underlands, Chiron will hear a story from its ruler, King Cullin, that is crucial to his family. Time in this novel meanders between past and present like a forest path, and the narratives drift back and forth across the U.S.–Canada border. The harshly real and the fantastic mingle in ways that recall Ta-Nehisi Coates’ The Water Dancer and Esi Edugyan’s Washington Black. What’s most impressive is Thomas’ imaginative power; sure-handed, often lyrical prose; and strong, complex, resilient women.

An exceptional work that mines a rich historical vein.

Pub Date: Jan. 10, 2023

ISBN: 978-0-593-48950-5

Page Count: 352

Publisher: Viking

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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