Grisly and sickening (but in the best way possible), the novel more than delivers on its promise of the macabre for lovers...
“Bones Found to Be of Human Origin, Blood Beginning to Fester.” In the spirit of M.T. Anderson’s Thirsty (1997), Ward’s apocalyptic novel will have readers checking the ground beneath their feet after each turn of the page.
Readers meet Lea, a confident teenage girl who just wants to hang out with her friends and spend quality time with her new girlfriend, Aracely. But when the Earth begins to ooze blood and other body parts, Lea’s hometown becomes a war zone, with citizens fighting over fresh water and food rations, and Lea becomes ever more concerned with her dwindling faith in humanity, her declining mental state, and the blood that won’t stop rising. To her family and close friends, Lea’s sexuality is largely a nonissue, which is refreshing (and sensible, considering the impending apocalypse); furthermore, readers looking for the next LGBT heroine will love Lea’s strong-willed attitude. The frightful moments are craftily deployed, creeping up and startling readers when they’re least expecting it. And the government PSAs regarding the blood that punctuate Lea’s narration are enough to panic even the most fearless of readers, their commonplace mundanity highlighting the freakishness.
Grisly and sickening (but in the best way possible), the novel more than delivers on its promise of the macabre for lovers of horror, and curious readers will close the book with countless questions about religion, science, and human nature. (Horror. 13 & up)Pub Date: Feb. 9, 2016
ISBN: 978-0-9864484-8-5
Page Count: 256
Publisher: Adaptive Books
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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