A mystery romance that works too hard on both fronts.

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LIE TO ME

Amelia tries to go back to being a normal teenager after nearly dying from a fall, but when other local girls start turning up dead, she thinks what happened to her was no accident.

But who would want to hurt her? Her creepy neighbor? A jealous girl from school? Her best friend, who’s harboring a secret? Her new boyfriend is willing to help her figure it out. Her relationship with Liam started after her fall, and it’s intense—not only because of how she feels when she’s with him, but also because of the yearslong feud between Liam and Amelia’s brother, Hunter. Adding to the confusion is Amelia’s blooming attraction for her friend Grace, which doesn’t dissipate even after Amelia starts dating Liam. In a novel that struggles to maintain the tension, Ward (Where She Fell, 2018, etc.) explores what it’s like to suspect the people closest to you of wanting to cause you harm. This is a worthy premise, but the plot feels obvious and predictable while the dialogue often feels trite and forced, causing the book to lag in energy and suspense. Most characters are white; Grace has brown skin and is a lesbian.

A mystery romance that works too hard on both fronts. (Suspense. 12-15)

Pub Date: Jan. 7, 2020

ISBN: 978-1-338-53810-6

Page Count: 256

Publisher: Scholastic

Review Posted Online: Sept. 23, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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A trilogy opener both rich and strange, if heavy at the front end.

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

From the Peculiar Children series , Vol. 1

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 31, 2014

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Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of...

I HAVE NO SECRETS

A nonverbal teen becomes the “real-life password” to solving a terrible crime in this British import.

Sixteen-year-old Jemma has “no secrets of [her] own.” Quadriplegic due to cerebral palsy, she can’t move or speak and depends on her foster parents and her aide, Sarah, for everything from eating to using the bathroom. But people often share their secrets with her. After all, Jemma can never tell—even when Sarah’s sleazy boyfriend, Dan, hints at his involvement in a recent murder just before Sarah goes missing. But when innovative technology offers Jemma a chance to communicate, can she expose Dan’s secret before he silences her? Despite its suspenseful premise, the plot pales against Joelson’s (Girl in the Window, 2018) intimate, unflinching exploration of Jemma’s character; the book’s most powerful tension lies in Jemma’s simple, direct narration of her unrecognized, uncomfortably realistic frustrations and fears, such as patronizing adults who “don’t realize that [she has] a functioning brain” and her worry that her overwhelmed parents will stop fostering. Refreshingly, the author’s detailed depiction of augmentative and alternative communication explores both the joy of self-expression and the physical and mental effort it requires. Jemma’s bond with her chaotic but supportive foster family grounds the story, particularly her touching rapport with her younger foster brother, Finn, who’s autistic and also nonverbal. Most characters appear white.

Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of “family.” (Suspense. 12-15)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4926-9336-9

Page Count: 288

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 13, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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