An excellent debut from an author who's bursting with talent.
The lives of four people intersect during the 2014 Ukrainian Revolution.
In February 2014, Ukrainian police fired into a crowd of protesters in Kyiv, killing more than 100 civilians who were demonstrating against the nation’s president, Viktor Yanukovych. While Yanukovych would eventually be removed from power, the massacre has been etched into the memories of people across Ukraine and the rest of Europe. The mass shootings, and the protests that preceded it, form the plot of Pickhart’s disquieting debut novel, which follows four people at the center of the demonstrations. There’s Katya, an American doctor treating wounded protesters at a Kyiv monastery; she’s left the U.S. after the death of her young child and the resulting decay of her marriage. She finds herself treating Aleksandr, a former KGB spy who plays piano for the protesters, haunted by his own past as a Soviet who participated in the 1968 invasion of Czechoslovakia. Misha, an engineer still mourning the death of his wife, takes part in the protests along with an activist named Slava, his former lover–turned–sister figure: “She wasn’t his, he wasn’t hers, but they were together. For years now, a cobbled family.” As the violence in Kyiv worsens, the characters find their lives thrown into terrible disarray, with Katya’s thoughts returning to her late child and Slava falling in love with a lesbian filmmaker. The novel ends where it must, and Pickhart doesn’t pull any punches; this is an unremittingly dark novel, but it’s never exploitative. Pickhart employs an unusual structure, with switching points of view punctuated by a kind of Greek chorus courtesy of Kobzari, old Ukrainian singers who were killed by the Russian czar for singing in their own language. Innovative, emotionally resonant, and deeply affecting, this is a more-than-promising debut from a very talented writer.
An excellent debut from an author who's bursting with talent.Pub Date: Oct. 19, 2021
ISBN: 978-1-953387-08-0
Page Count: 260
Publisher: Two Dollar Radio
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
A stunning feat of storytelling and moral clarity.
An Irishman uncovers abuse at a Magdalen laundry in this compact and gripping novel.
As Christmas approaches in the winter of 1985, Bill Furlong finds himself increasingly troubled by a sense of dissatisfaction. A coal and timber merchant living in New Ross, Ireland, he should be happy with his life: He is happily married and the father of five bright daughters, and he runs a successful business. But the scars of his childhood linger: His mother gave birth to him while still a teenager, and he never knew his father. Now, as he approaches middle age, Furlong wonders, “What was it all for?…Might things never change or develop into something else, or new?” But a series of troubling encounters at the local convent, which also functions as a “training school for girls” and laundry business, disrupts Furlong’s sedate life. Readers familiar with the history of Ireland’s Magdalen laundries, institutions in which women were incarcerated and often died, will immediately recognize the circumstances of the desperate women trapped in New Ross’ convent, but Furlong does not immediately understand what he has witnessed. Keegan, a prizewinning Irish short story writer, says a great deal in very few words to extraordinary effect in this short novel. Despite the brevity of the text, Furlong’s emotional state is fully rendered and deeply affecting. Keegan also carefully crafts a web of complicity around the convent’s activities that is believably mundane and all the more chilling for it. The Magdalen laundries, this novel implicitly argues, survived not only due to the cruelty of the people who ran them, but also because of the fear and selfishness of those who were willing to look aside because complicity was easier than resistance.
A stunning feat of storytelling and moral clarity.Pub Date: Nov. 30, 2021
ISBN: 978-0-8021-5874-1
Page Count: 128
Publisher: Grove
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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