by Kallie George ; illustrated by Devon Holzwarth ‧ RELEASE DATE: April 22, 2025
An ebullient read-aloud filled with beachy and bakery delights.
A trip to the seashore becomes a day of toil for a little baker loaded with imagination.
As this rhythmic picture book begins, a tot is hard at work creating sand cakes sprinkled with rocks. Clad in a seafoam green swimsuit with scalloped edges on the shoulders, the protagonist has long brown hair that mimics the curls in the waves. The child makes sand pies and tarts, trimming the innovative treats with sea-glass berries and seaweed. But no one wants to try these amazing creations. Not the child’s older siblings or dog, not even the seagulls. Each rejection makes the protagonist more determined to whip up something better, and the youngster makes a smorgasbord of delightfully named, tongue-twisting delicacies. The illustrations match the child’s creativity, with a dizzying display of ocean creatures and treasures atop baking extravagances. Who wouldn’t want to pretend to gobble up such amazing riches? The repeating text pattern is clear and effective, perfect for reading aloud. Though the child leaves the beach satisfied at last, readers may hope that next time the youngster will be joined by friends with stronger imaginations. The protagonist is tan-skinned; other characters, including the little one’s family, vary in skin tone.
An ebullient read-aloud filled with beachy and bakery delights. (Picture book. 3-8)Pub Date: April 22, 2025
ISBN: 9781774882474
Page Count: 48
Publisher: Tundra Books
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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