by Kallie George ; illustrated by Elly MacKay ‧ RELEASE DATE: Feb. 2, 2021
Sweet and pretty for bedtime or naptime—and validating to little ones all the time.
Is the little child who narrates the book too little for any fun?
This gentle tale goes straight to the heart of what upsets so many little ones: missing out on adventures because they are small and young. The beginning double-page spread shows three family members staring out over a full clothesline as the text reads: “This morning, Mama saw a deer. Dad and Sara saw it too.” The narrator missed the sight while struggling to get dressed. The child recounts other examples of recently missed opportunities, then heads outside with a lump of sugar, hoping to lure the deer. Gorgeous, masterful art in MacKay’s characteristic layered dioramas that combine drawn figures with cut, often diaphanous elements accompanies every page of spare but thoughtful text, as the child encounters other signs of nature—but no deer. When the narrator encounters the fawn of the title—“Little like me”—the two greet each other with their eyes before returning home to their respective mothers. The child looks about 3 years old and perhaps too young to be allowed a wilderness wander near protective animal mothers, but the soft and dreamy tone of the art and the text excuses the story from complete realism. The child’s response to Mama’s question at the end gives further empowerment to the child, who looks and listens while someone older reads this aloud. The family is an interracial one, with White-presenting father and Asian-presenting mother. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at actual size.)
Sweet and pretty for bedtime or naptime—and validating to little ones all the time. (Picture book. 3-5)Pub Date: Feb. 2, 2021
ISBN: 978-0-7352-6516-5
Page Count: 40
Publisher: Tundra Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Marissa Valdez ; illustrated by Marissa Valdez ‧ RELEASE DATE: April 1, 2025
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Greg Pizzoli ; illustrated by Greg Pizzoli ‧ RELEASE DATE: April 19, 2016
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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