Contemplative, curious, and kind.

A MAP INTO THE WORLD

A young Hmong American girl shares the small things of wonder that make up her world.

When Paj Ntaub moves into a new green house with big windows with her family, the garden grows with “tomatoes, green beans, and a watermelon as round as my mother’s belly.” Soon, the green house becomes their house. Paj Ntaub helps “Tais Tais hang the special story cloth about how the Hmong got to America.” She exchanges waves with her neighbors Bob and Ruth, an elderly white couple even older than Tais Tais. And changing seasons usher in life and death. In gentle prose, Yang’s picture-book debut explores nature, community, and connection. Twin brothers are born amid the summer bounty in the garden. On a snowy, cold morning, loss arrives, and bare gingko trees “[reach] for the sky with their thin fingers” against the new emptiness of the house across the street. When the world becomes green again, Paj Ntaub draws together these connections in a neighborly gesture of comfort. Using digital graphite, pastels, watercolor, and scanned handmade textures, Kim brings detailed dimension to the green house and the world around it. Alternating perspectives capture the expansiveness of the outside as well as the intimacy of Paj Ntaub’s observations.

Contemplative, curious, and kind. (Picture book. 5-9)

Pub Date: Oct. 1, 2019

ISBN: 978-1-5415-3836-8

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Comfy and cozy, with nary a meanie in sight.

GRANDUDE'S GREEN SUBMARINE

Following Hey, Grandude (2019), more jolly fun as the title character squires his four young “Chillers” aboard a green sub (where does Sir Paul get his ideas?) to catch up with his partner in adventure: Nandude!

Casting about for something to do on a sweltering day, the multiracial quartet eagerly follows their grizzled White gramps down to an underground chamber where a viridian vessel awaits to take them soaring through the sky to a distant land. There, Grandude’s old friend Ravi plays a tune of Nandude’s that accompanies them after they leave him. It leads them under the sea to an octopus’s garden and a briefly scary tangle with the ink-spraying giant. The monster’s set to dancing, though, as Nandude floats up in her own accordion-shaped ship to carry everyone home for tea, biscuits, and bed in a swirl of notes. Aside maybe from the odd spray of shiny stars here and there, Durst steers clear of sight gags and direct visual references to the film or music in her cheery cartoon scenes. Both she and the text do kit Ravi out, appropriately, with a sitar, but there’s no 1960s-style psychedelia to be seen. Nostalgic adults may be disappointed to see that even the submarine bears no resemblance to the iconic vessel of the film but instead just looks like a plush, smiling toy whale, eyes and all. Children, of course, won’t care. That this book does not try to trade (heavily) on its antecedents makes it a refreshing change from so many other celebrity titles. (This book was reviewed digitally.)

Comfy and cozy, with nary a meanie in sight. (Picture book. 5-8)

Pub Date: Oct. 5, 2021

ISBN: 978-0-593-37243-2

Page Count: 32

Publisher: Random House

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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