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GOBLIN KING

From the Permafrost series , Vol. 2

An unpolished read.

A young woman goes to Hel and back to stop Ragnarök in this sequel to White Stag (2019).

Having survived the Hunt, goblin Soren rules as Erlking while once-human Janneke grapples with her role as the stag. Once master and servant, now lovers, both are struggling to take on their new responsibilities and overcome their many, many traumas. Raised as a male heir in a vaguely Viking-ish era and held as a Permafrost realm prisoner for 100 years, dark-skinned, green-eyed Janneke is as lethal as her former captors, the goblins, but capable of emotion. Now an untrained magic-user and unwilling recipient of apocalyptic visions, Janneke is also haunted by her abuser, Lydian…“literally,” as the characters would (and repeatedly, gratingly) say. Attempting to use—then exorcise—the liminal Lydian, Janneke and a small circle of trusted goblins dive deep into the Norse underworld. Unwaveringly, perhaps unbelievably, supportive Soren is pale and bluish-skinned, white-haired, and lilac-eyed—for goblins, read prettified Celtic elves or Scandinavian trolls, per the novel’s loose basis on and reinterpretation of traditional mythology. The setting, tone, and language are inconsistent and unclear, with the pre-industrial trappings repeatedly clashing with the innumerable, jarringly modern turns of phrase and copious profanities. Barbieri prominently features issues of abuse, disability, eating disorders, self-harm, and gender, but the quality of the writing does not support sensitive and nuanced exploration of these subjects.

An unpolished read. (Fantasy. 16-adult)

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-24760-5

Page Count: 320

Publisher: Wednesday Books

Review Posted Online: Aug. 24, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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