Originally self-published online, this tale reads more as impassioned fanfiction than a fully realized, judiciously edited...

WHITE STAG

From the Permafrost series , Vol. 1

A scarred survivor must decide if she will be predator, prey, or something more.

Violently orphaned, then tortured, 17-year-old Janneke has spent a century in Permafrost as a goblin thrall. When the Erlking’s death sets off the Hunt for the white stag, Janneke accompanies her current master, Soren. Together, they must stop Lydian—Janneke’s abusive first captor and Soren’s maniacal uncle—prevent a war, decide Janneke’s humanity, and resolve their unusual relationship. Video game–like action sequences, obligatory fae political machinations, unnecessary mystical ordeals, random animal slaughter, and melodramatic brooding ensue. Suffering from chosen one syndrome—prophecies, magical birth, inexplicable uniqueness, and desirability—Janneke survives the Hunt through stubbornness, specialness, and a repeatedly mentioned but superficially discussed childhood of being raised as a male heir (she reserves the feminine form of her name, Janneka, for intimates). Russet-haired, green-eyed Janneke has dark skin and suggested Scandinavian origins, while Soren is white-haired, purple-eyed, and blue-gray skinned. Dazzling descriptions and morbid humor aside, debut author Barbieri eschews original dialogue and subtlety in favor of anachronisms, clichés, blunt moralizing, and insensitive treatment of sexual abuse.

Originally self-published online, this tale reads more as impassioned fanfiction than a fully realized, judiciously edited novel; best for existing fans. (Fantasy. 16-adult)

Pub Date: Jan. 8, 2019

ISBN: 978-1-250-14958-9

Page Count: 368

Publisher: Wednesday Books

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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A thrilling romance that could use more even pacing.

THE STARS WE STEAL

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Not everybody lives, and certainly not “happily ever after”—but within all the grisly darkness, Alice’s fierce integrity and...

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THE HAZEL WOOD

From the Hazel Wood series , Vol. 1

A ferocious young woman is drawn into her grandmother’s sinister fairy-tale realm in this pitch-black fantasy debut.

Once upon a time, Althea Proserpine achieved a cult celebrity with Tales from the Hinterland, a slim volume of dark, feminist fairy tales, but Alice has never met her reclusive grandmother nor visited her eponymous estate. Instead, she has spent her entire 17 years on the run from persistent bad luck, relying only on her mother, Ella. Now Althea is dead and Ella has been kidnapped, and the Hinterland seems determined to claim Alice as well. The Hinterland—and the Stories that animate it—appear as simultaneously wondrous and horrific, dreamlike and bloody, lyrical and creepy, exquisitely haunting and casually, brutally cruel. White, petite, and princess-pretty Alice is a difficult heroine to like in her stormy (and frequently profane) narration, larded with pop-culture and children’s-literature references and sprinkled with wry humor; her deceptive fragility conceals a scary toughness, icy hostility, and simmering rage. Despite her tentative friendship (and maybe more) with Ellery Finch, a wealthy biracial, brown-skinned geek for all things Althea Proserpine, any hints of romance are negligible compared to the powerful relationships among women: mothers and daughters, sisters and strangers, spinner and stories; ties of support and exploitation and love and liberation.

Not everybody lives, and certainly not “happily ever after”—but within all the grisly darkness, Alice’s fierce integrity and hard-won self-knowledge shine unquenched. (Fantasy. 16-adult)

Pub Date: Jan. 30, 2018

ISBN: 978-1-250-14790-5

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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