Off target.
A modern-day white teen travels through time and becomes Robin Hood.
Ellie Hudson is a privileged elite archer with Olympic aspirations from present-day America. While competing in Nottingham, England, Ellie follows a strangely dressed man in white into a cave and emerges (inexplicably) in the Middle Ages. The clunkiness starts here: Ellie is nearly apprehended! She escapes! She’s nearly apprehended again! She escapes again! Then Ellie, who is passing for a boy, turns herself in to protect others and manipulates the notorious (but blandly drawn) sheriff of Nottingham into releasing her if she can shoot well enough. Ellie’s talent shines through…and then the awkward pacing takes hold again with occurrences that feel either arbitrary or like filler. Ellie’s aware that her purpose in the past may be to become Robin Hood, but she doesn’t seem particularly interested in assisting the people of Nottingham. Then a plot to assassinate Prince John emerges, threatening the eventual king’s ability to sign the Magna Carta. Connolly avoids the trap of offering a limp, unconvincing rationale for the time travel, but, unexplained, the device is still pretty slim. Couple it with an uneven plot and unconvincing premise, and even a gender-bending, butt-kicking, time-traveling heroine may not be enough to satisfy exacting readers, even if she is Robin Hood.
Off target. (Historical fantasy. 12-16)Pub Date: July 18, 2017
ISBN: 978-0-385-74393-8
Page Count: 352
Publisher: Delacorte
Review Posted Online: April 25, 2017
Kirkus Reviews Issue: May 15, 2017
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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