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THE WOMAN WHO WOULD BE KING

HATSHEPSUT'S RISE TO POWER IN ANCIENT EGYPT

Of course, there are still questions (“Certainty plays little role in the history of Hatshepsut”), but Cooney’s detective...

Cooney (Egyptian Art and Architecture/UCLA) re-creates the life of “the first woman to exercise long-term rule over Egypt as a king.”

The author endeavors to discover why history rejected Hatshepsut’s remarkable achievements. Twenty-five years after her death, her surviving co-king decided to obliterate her image and name from carvings throughout the land. As Cooney admits, this biography could only be based on conjecture and guesswork, but the addition of expertise makes it well worth reading. The author’s Egyptology background provides the nitty-gritty of daily life and animates this king (at the time, there was no word for “queen”). The surviving buildings and carvings of Hatshepsut’s 22-year reign serve as evidence of her accomplishments. Upon the death of her father, Thutmose, Hatshepsut was married, as was customary, to her brother, the short-lived Thutmose II. She was already Egypt’s high priestess, and she now became the King’s Great Wife. Widowed after a few years, she became regent for the infant Thutmose III, making her the most powerful person in Egypt. Eventually, she had herself crowned king and reigned with him until her death. How she gathered and maintained her power is simple enough: money. It was a period of strong trade, uninterrupted annual inundation of the Nile River and successful empire building. Hatshepsut professionalized the priesthood and the army, and she spent fortunes expanding the empire and quickly rewarding those who served her. Furthermore, as high priestess, it was she who delivered Amun-Re’s rules and decisions. The image of this woman became increasingly masculinized as her reign progressed, reflecting the age-old distrust of a woman with authority.

Of course, there are still questions (“Certainty plays little role in the history of Hatshepsut”), but Cooney’s detective work finally brings out the story of a great woman’s reign.

Pub Date: Oct. 14, 2014

ISBN: 978-0-307-95676-7

Page Count: 384

Publisher: Crown

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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