Overshadowed by Armstrong’s more ambitious A History of God (1993), but religion students will find this a worthwhile...
Detailed review of the creation and study of the Bible through the centuries.
Religion scholar Armstrong (The Great Transformation: The Beginning of Our Religious Traditions, 2006, etc.) opens with the accepted explanation for the creation of Hebrew scripture, then moves on to the prophetic and wisdom writings. The book’s early chapters are especially notable for the author’s strong presentation of historical background. After discussing the basics of the Hebrew Bible, Armstrong moves on to the life of Jesus and the written documents that ensued. From this point forward, she does an exceptional job of balancing and interweaving Jewish and Christian approaches to scripture. She discusses the tradition of Midrash both as an art in its own right and as an influence on early Christian perceptions of scripture. Likewise, when exploring Christian study of the Bible in medieval monasteries and universities, she compares their work to that of contemporary Jewish counterparts. The narrative advances chronologically into the Protestant Reformation, the Enlightenment and finally the modern era. Today, Armstrong avers, readings of the Bible are influenced by the techniques of scholarly criticism, which lessens the faith of some while fueling a fundamentalist backlash among others. Again, she seamlessly weaves together the history of Jews and Christians in this period. Little here is new, although that is not really an issue for an entry in Atlantic’s Books That Changed the World series. More troubling: The text often reads like a long academic paper, with only limited original insight from the author. Armstrong concludes by urging scholars to employ charity and compassion in their biblical exegeses—though her faith in humanity’s ability or desire to do this seems shaky at best.
Overshadowed by Armstrong’s more ambitious A History of God (1993), but religion students will find this a worthwhile resource.Pub Date: Nov. 1, 2007
ISBN: 978-0-87113-969-6
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2007
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis making religion provoking, memorable and delightful is still more latest Reflections on the Psalms. Though he protests that he writes learned about things in which he is unlearned himself, the reader is likely thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre not there, have a right and proper place, as Mr. Lewis shows us. They of Psalms more precious still. Many readers owe it to themselves to read flections if only to learn this hard but simple lesson. Urge everyone to book.
Pub Date: June 15, 1958
ISBN: 015676248X
Page Count: 166
Publisher: N/A
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1958
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